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Ballpark Bull

A common refrain around here is, “Sorry I’m late, got stopped by the train.”

Well, from time to time, though not nearly as often, you can substitute elk for train.

For a lot of Bow Valley locals, elk are just part of the landscape. Their poop is everywhere, even though it’s hit or miss whether you actually see them. You can walk by a forested area a dozen times before realizing there’s a whole herd in there, dozing their day away.

What, they’re supposed to go to work or something?

It’s comical when a herd of elk crosses a major street during a morning commute and everybody has to wait until they decide to move on, realizing that nobody sees this in Toronto.

But they can also be dangerous and unpredictable, especially during calving and rutting season. So as much as I’d love to get up close and personal with them for reference photos, I’ve seen what can happen when you do.

If you’ve ever seen a bull elk charge a parked car, you soon realize that the insurance claim is nothing compared to what an animal with that size and power, with or without the antlers, could do to a person. The cows are just as dangerous.

Most locals have had the experience of telling a tourist trying to get a selfie with a wild animal that “you are way too close,” only to be told in less than family-friendly terms to “mind your own business.”

But every once in a while, a photo opportunity presents itself with sufficient guardrails in place to make it a magical experience.

While out for a chilly bike ride yesterday, both for exercise and on the lookout for wildlife, I came across some cows (that’s female elk) lying down in the trees right next to a paved trail beside the Bow River. People politely warned each other as they passed, especially if they had a dog.

“Hey, just so you know, there’s some elk in the trees on the right side up there.”

I both warned a couple of people and was warned myself. But the elk seemed comfortable and didn’t appear to care that people were passing by. I took a couple of quick snapshots from my bike, but nothing remarkable or worth keeping for reference.

On my route back, I peered down the riverbank and saw an unmistakable herd crossing a tributary of the Bow. I had a feeling I knew where they were headed. Crossing the bridge, I doubled back on the other side of the river, heading toward one of our local parks, home to a football field and baseball diamond.

Sure enough, as I slowed down near the park, a gentleman flagged me down to warn me there was a big bull and a harem crossing into the park. Continuing down the path would have put me in a bottleneck situation with a lot of elk. He and I both left the trail and headed into a nearby neighbourhood.

I rode down a couple of streets and reached the parking lot beside Millennium Park just as the herd was emerging onto the field. By the time they all arrived, there were easily 50 elk. Some remained on the football field, but several others moved through a small open gate to graze inside the ball diamond.

While I would have loved to take some shots of the larger herd on the football field, with the Three Sisters and other mountains in the background, I’m not a landscape photographer. And I’ve taken plenty of reference photos of female elk over the years.
I did take a few cow photos this week, but my focus was on the large bull. He’d entered the ball diamond and was far enough into the grass that I could comfortably take unobstructed shots without putting myself in a precarious position.
The elk appeared docile and comfortable, and a few people were already at the fence when I arrived. The cows just sauntered by on their side. Thankfully, nobody did anything stupid like going into the ball diamond. Everyone seemed content with such a special opportunity to take pictures from our side of the fence.

Can an elk jump a fence? Absolutely.

But there was loud construction going on right beside the ball diamond, complete with workers, earth movers, machinery and that lovely beeping sound. The elk didn’t seem bothered by any of it.

Still, I chose an exit route and knew where I would go if I had to.

I stood there for an hour, happily snapping shots, enjoying a rare, unobstructed view of that big bull.
I’m a spray-and-pray wildlife photographer. I choose my settings and then fire off a dozen shots at a time, hoping I get several I can use. I’m not selling photographs. I’m gathering reference, and it’s this method that allows me to capture unexpected moments that inspire and contribute to paintings in my style.

What makes a mediocre or boring photo for a wildlife photographer might be one of my best keepers because of the detail and reference it provides. I even keep shots where the focus might be a little off because of the other elements they contain.

A wildlife photographer might spend all day waiting for that one perfect shot. I might take a thousand photographs and find my favourite in one that’s slightly out of focus, awkwardly composed, or otherwise unremarkable.

Because I’m not looking for the perfect photograph. I’m looking for something that makes me think, “I want to paint that,” or “there’s a personality in there I want to capture.”

That’s what lights me up.
I delighted in watching the bull use that massive rack to deftly scratch his own back, contorting his face with satisfaction as he got just the right spot. It was only when I got home and went through the 1,000-plus photos that I realized just how many wonderful expressions I’d captured.
I’m critical of which reference photos I keep and quickly culled those thousand shots down to just over 50 for my photo archive. That’s still a lot.

People often ask me where I get the ideas for my paintings, the personalities and expressions. Life definitely informs art. And even though I recently wrote that I wasn’t in a hurry to paint another elk, I’m happy to say I’ve revised that opinion, thanks to the riches this experience delivered.

I’ll admit, as I write this the morning after, I was tempted to go back to see if they might still be hanging around the same area. Maybe get a few more shots.
But honestly, I got closer to that bull than I ever expected, and had he moved more toward me than he did, I would have backed off, even with a fence between us.

So while there’s always a chance that a better shot presents itself, I’m more than satisfied.

It was a surprise and a gift, and I’m happy I had my camera with a zoom lens along for the ride.

I took a short video of the scene and posted it on Instagram and YouTube.

Cheers,
Patrick

 

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And a Local To Draw Them

The Rocky Mountain Outlook, the Bow Valley’s newspaper of record, turns 25 this week, and I’m asking myself where the time went, hardly an original thought.

Shonna and I moved to Canmore a month before the Outlook’s first issue, after seven years in Banff. For reasons I won’t get into, I was ready to move on from my three years drawing editorial cartoons for the Banff Crag & Canyon. Even though this upstart paper hadn’t published its first issue yet, I was willing to give it a chance.

In hindsight, it was one of the best decisions of my life.

Carol Picard was the Outlook’s first editor and one of three partners who risked a lot to launch the paper. I have often written about my gratitude for how much her mentorship contributed to the longevity of this career I never expected or planned for.

Were it not for the Outlook, I likely wouldn’t have self-syndicated. Without syndication, I wouldn’t have been able to leave my full-time job in 2006 and become a full-time artist. And without that, I may not have created my first grizzly bear painting in 2009.

The newspaper side of my career may no longer provide a full-time income by itself, but it gave me the skills and opportunities to adapt so that I can still create art for a living. I am at my best when painting fur, feathers, and funny-looking features. And that might not have happened without Carol and the Rocky Mountain Outlook.

So when it came time to draw a cartoon for this week’s anniversary, I made it about me, without apology, because I’ve had that cartoon space on the editorial page every week for 25 years. I’m not a journalist, and never claim to be. That’s a profession with a whole different skill set than drawing smart-ass commentary every week.

But I’ve been a part of this paper since the very beginning. And I’m proud of that.

(here’s the column I wrote for this week’s issue)

1,300 cartoons later…

When I drew my first cartoon for the Outlook, I had only a few years under my belt drawing for The Crag & Canyon. Having never gone to art school, I learned on the job. Those early cartoons are hard to look at, but you have to churn out a lot of bad art before you find the good stuff.

It was another five years of cartooning on the side before I took the full-time artist plunge, a career choice I had never considered when I moved to the valley in 1994.

I’ve been a self-syndicated editorial cartoonist for most of that time, drawing five or six other cartoons each week for newspapers across Canada. As the industry changed, my art business changed with it, eventually expanding to include whimsical wildlife paintings. Those are sold in places like the Toronto and Calgary zoos, licensed on products around the world, and at venues like the Banff Christmas Market each year.

People often call them “cartoony, but real.”

Imagine that.

But through it all, there’s been the cartoon every week for the Rocky Mountain Outlook. I have never missed an issue in 25 years.

Occasionally, another newspaper has asked me to draw cartoons about its local issues, and I’ve politely declined. Just as it often takes a local to understand a cartoon about this community, it also takes a local to draw one.

From 1,300 cartoons in this paper, it’s hard to pick favourites. Cartoons I drew 20 years ago still apply today, on issues we still haven’t solved.

____

Click here to read the digital edition of this week’s Rocky Mountain Outlook.