This time of year finds me reflective.Ā The Canadian Rockies are breathtaking in the fall and it somehow makes me want to slow down and find a little more peace.
Earlier this month, I found myself paying attention to the goings on at Photoshop World in Las Vegas, a conference Iāve attended for the past four years, but one I decided to take a break from this time.
It was a surprise to me that I missed being there, but I couldnāt put my finger on why, since not going was a conscious decision.Ā The last couple of years, Iād been going for networking, socializing, and making strategic moves to further my career via different connections and affiliations.Ā While that proved to be well worth my time, it also tainted the experience Iād had the first couple of years when Iād been taking classes and was really excited to be there.
When I first began this self-directed career, I was always hungry to become better.Ā Having never gone to art school and starting pretty late to this business of art, I felt a need to catch up to my competitors, to prove I could hold my own, even had a chip on my shoulder about the whole thing.Ā Over time, through a lot of trial and error, I eventually found the work I love most.Ā But during that period, I was learning new techniques from other artists, watching DVDs, reading articles, tutorials, and taking classes.
Then there came what I thought was a natural evolution.Ā Suddenly, I’m the one writing articles, recording videos and training DVDs, doing demos and training for companies, schools and groups, and figuring that this was what I was supposed to be doing now, moving up to the teaching level.Ā Many friends and colleagues have made teaching a large part of their businesses and some of them are not only very good at it, they really seem to thrive on the experience.
But more teaching will involve more traveling, writing scripts, recording, and less time doing the work I enjoy most.Ā It will also involve breaking down the work I love so much into an assembly process, evaluating it to death and sucking all the life out of it.Ā Thereās still a feeling of magic in my work when I draw and paint, a connection to something else that isnāt me, as nauseatingly artsy as that might sound.Ā Itās what I love most about painting, the soul of it all.Ā You canāt dissect something without killing it.
The opportunity to speak and demo at the Wacom booth last year in Vegas was one I enjoyed.Ā Even as an introvert (not to be confused with shy), Iāve got no problem with public speaking or talking with people, and Iāve been told Iām pretty good at it.Ā Repeating that experience now and then is something Iām happy to do.Ā Iāve realized that I do not, however, want teaching to be a large part of my career, at least not now.Ā Iām fine with showing how I do it, talking about what Iām thinking, and trying to inspire others to explore their own creative instincts, but breaking my work down to stereo instructions is not something I enjoy.
Iāve written in the past that one way to find out what you want to do is to start checking off the things you donāt, then look at the choices that remain.
Over the past few weeks and months, an underlying melancholy has been lurking just below the surface, this feeling that something is missing.Ā This week, while taking one of my regular walks up Cougar Creek, on the day I took the photo you see above, I realized what has been bugging me.Ā I miss being a student.
When youāre self-employed at anything, especially in a creative field, fear is a part of daily life.Ā After youāve been in the gig for a number of years and are making a good living at it, the fear can stop being a motivator, however, and can instead keep you from moving forward, a fear of losing what you have already gained.Ā It can happen so subtly that you donāt even realize that youāve painted yourself into a corner.
The last couple of years have found me concerning myself with marketing moves, making connections and evaluating promotion strategies, all absolutely necessary for anyone who has chosen Ā art as a profession.Ā But when youāre going ninety miles an hour trying not to fall behind where you think everybody else is (a race you can NEVER win), you start missing the reason youāre on the road in the first place.Ā Thatās when itās time for a change.
I still plan to draw the daily editorial cartoons, paint my whimsical wildlife paintings and some portraits, and take illustration and painting commissions as usual.Ā Iāll still be promoting my work the same way Iāve always done, running my booth at the Calgary Expo in the Spring, and evaluating each opportunity as it comes along.Ā Iāve worked very hard to get to a place where I make a good living doing the work I love, and I still do have to make a living, so Iāll always run my business to the best of my ability.
But, Iāve decided to take my foot off the pedal for a little while.Ā Iām tired of running all the time and want to slow down.Ā There is some fear that if I stop scrambling in the promotion game, that I may ālose groundā but really, what the hell does that mean anyway?Ā Lose ground to whom?
I miss being a student, so Iām going to spend more time being one.Ā I canāt recall the last time I sat and read an article about painting or drawing or took some lessons to become better.Ā Lately, when I see other artists and illustrators posting teaching and training videos, Iām not thinking, āI should be doing that.āĀ What Iām actually thinking is, āI want to learn from these people.ā
When in doubt, trust your gut, and this just feels right.Ā Iāll let you know how it turns out.
