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New Faces and Old Friends

EDIT January 24, 2021…The sale has concluded. Thanks to all who participated.Five new poster prints have been added to the Shop. They are Winter Wolf, Big Boy, T-Rex, Winter Raven and Bear Hug. These new prints and the paintings I did in 2020 are regularly priced at $24.95 (plus tax and shipping). Keep reading…

....For the next two days, however, everything else in the shop is 20% OFF. That includes poster and matted prints, even prints that were already marked down.

I plan to keep creating funny looking animal paintings for as long as I can, but it’s unsustainable to keep all of them in stock. In order to make room for the new work, I have to retire most of the old stuff. For a lot of these prints, when the last one is sold, that’ll be it for that piece.

All of my prints are 11”X14”, an easy to find frame size at most stores that sell them. The poster prints have a 1” white border and look great in a black frame. So while you can mat them, most don’t.

Feel free to share this offer with anyone you like. If you have any questions, please let me know.

EDIT January 24, 2021…The sale has concluded. Thanks to all who participated.

Have a good weekend,
Patrick

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Calendars, Scarves, Masks, Oh My!

Thanks to everybody who bought calendars over the past few months. I’ve sold out of them myself, but it’s not too late to start each month with a different funny looking bear painting.

If you’re in Canmore, Banff or anywhere else in the Bow Valley, you can still buy them at Save-On-Foods. They’re on the right side when you walk in the front doors, along with some notepads featuring my artwork.

But if you’re anywhere else, you can order them online from Pacific Music & Art, too. Mike gave me a promo code for 10% OFF  for my followers for not only the calendars, but everything else on his site. That includes face masks, scarves, calendars and whatever else you can find.

Here’s the code… PATRICK10OFF

Now I won’t tell anybody if you give that code to somebody else, too. Mike’s really busy, so he probably won’t read this. Shhhhh.

Incidentally, the face masks have gone through a couple of redesigns since the beginning of our shared adventure. The latest versions have a filter pocket in them and each mask comes with two filters at no extra charge.

Here’s the link to my profile on Pacific Music & Art’s site. The masks are on all three pages, the calendars on the second page and the scarves on the third page. But take some time to look around, too. I’m fortunate to be sharing that site with some wonderful artists, each with their own unique style.
Speaking of masks, thanks to Murray from Edmonton for dropping me a line yesterday after he saw my Amur Tiger mask on the Discovery Channel.

Gold Rush is a reality show that follows a bunch of miners in the Yukon. Like many reality shows these days, they’ve got an after-show called The Dirt, where they talk about what went on, show some more footage, and give viewers more of what they came for.

Well on the Season 7, Episode 7 episode of The Dirt, they had a segment where they caught up with Tony Beets and Minnie in Mexico, where they spend their winters.

As Shonna and I don’t have cable anymore, Murray was kind enough to take some screenshots for me, including the one above. This kind of thing is always a treat for me. Even though Tony Beets likely has no idea who I am, and probably picked up the mask at one of Pacific Music & Art’s retail customers up north, he’s still wearing my art.

If you’ve been following my work for awhile, you’ll know that my Ostrich shirt has shown up on sportscasts, in a Netflix show and Ozzy Osbourne was wearing it on one of his shows as well, though I don’t think he really knew that he was wearing it.

I wrote about this strange phenomenon at the beginning of last year. You can read it here.
So, if you ever see my art pop up somewhere cool like this, I’d be grateful if you’d snap a pic and let me know. It always makes my day.

I’ve started a new painting and hope to share it with you before too long.

Cheers,
Patrick

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© Patrick LaMontagne
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Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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May You Live in Interesting Times

Like many people, the last week of any year inspires reflection. Despite my often-cynical perspective and the abundance of personal and professional setbacks I experienced in 2020, the silver linings aren’t hard to see.

Business advice articles and videos for freelance artists will often say that diversification and multiple revenue streams are what will get you through the hard times. That has never been more evident than this year.

With so many newspapers suspending freelance contributions in the spring, it would have been a much leaner year had I been solely relying on my editorial cartooning income.
I’m grateful that Mike at Pacific Music and Art could effectively pivot much of his focus to face masks. Not without difficulty, and requiring plenty of patience with design logistics and shipping delays, it turned out to be a welcome bright spot in a year of dark clouds. Several people have told me how much they’ve enjoyed having a fun and silly mask to wear, rather than the utilitarian alternative.

As recently as yesterday, an email about my latest painting contained a line about how many positive comments they get about their masks.

The masks brought more people to my work, increased my newsletter followers and generated more print and licensing sales for the rest of the year. How could I have possibly predicted that at this time last year?

2021 is a big question mark for all of us. Hard to plan for anything more than survival, in every meaning of the word. There’s plenty of reason to be optimistic, of course, but reality will lie somewhere between hoping for the best and expecting the worst.

In other words, be ready to adapt and don’t get cocky.

For all of you who follow, share, and have supported my work, I hope I effectively expressed my gratitude in my post before Christmas. My Cartooning COVID video, still being viewed and well-received, serves as my cartoon wrap-up for the year.

That brings me to the paintings I completed in 2020. In what came as a surprise to me, I did more paintings this year than last, 17 of them: three dogs, three people portraits, and eleven funny looking animals. There were a handful of others, but those were the production level pieces.

The response to my latest paintings has been very nice; several people already asking for prints. I will be sending the latest five; Big Boy, Bear Hug, Winter Wolf, T-Rex and Winter Raven for proofing next week.

With the zoos and parks unlikely to be placing print orders anytime soon, and the Calgary Expo moving to the August long weekend in the coming year (maybe?), I’m reluctant to invest in a large print order right now, only to hold most of them in inventory for the foreseeable future.

So when I get the proofs, I’ll likely do a pre-order special, though I haven’t yet figured out how that will look. I’ll soon be clearing out some 12” X 16” canvas prints at drastically reduced pricing as well, so keep your eyes on the newsletter for that opportunity. With only one or two of each, they will likely go fast.

On the subject of canvas, every image I paint is available for custom special order. If there’s a painting you like and want to invest in a larger piece, my work has always looked best on canvas. ABL Imaging in Calgary does my printing for me, and they do an incredible job. Is there a painting you really like? Feel free to send me an email and request a quote.
A customer ordered a 32” X 32” canvas print of my Sire painting in March, and I was so pleased with it that I wanted to keep it for myself.

As always, feel free to drop me a line anytime with questions or comments. It may take me a couple of days to get back to you, but I always will.

While my original post ended with the 17 paintings posted as images, I decided to instead create a video montage of each piece, in the order in which they were painted. I have replaced the still images with that video below. Turn up your sound for the full movie trailer feel.

Happy New Year!

Patrick

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
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Thanks for Your Support

The podcasts I listen to change from time to time. I’ll add new ones, delete old ones, depending on what I get out of each and where I’m at in my work life.

The one that prompted me to write this post was recommended to me by my friend Crystal, a Calgary-based graphic designer. While skilled in her chosen profession, one of Crystal’s most outstanding qualities is that she is a cheerleader for other creatives.

Since I’ve known and liked Crystal for years, I take her advice seriously. While it was my licensing agent in Vermont that got me the deal, and I had little to do with it, Crystal has been bugging me for years to get my work on puzzles.  When I got the box of my artist samples from Spilsbury, Crystal was first on the list to receive two of them.

So when she suggested I listen to David duChemin’s podcast, A Beautiful Anarchy, and said she thought I would connect with it, I didn’t hesitate.

David is a Canadian photographer and author, but his impressive skills far exceed his current professional pursuits. His podcast is not an interview format, but more of a ‘lessons learned and thoughts he’s thinking’ structure about pursuing a creative life. I could write a lengthy description, but David speaks better for himself than I could. I invite you to listen to see if it resonates with you as it does with me. There’s a link at the end.

When we’re allowed to travel again, one of the first places I’ll go is back to Vancouver Island. I cancelled two planned trips there this year, one for business, another a kayaking trip for Shonna’s and my 25th anniversary. As we’ve had some back-and-forth emails in recent months, I look forward to adding ‘meeting David in person’ to my next Island itinerary.

While beginning a new painting this morning, I listened to David’s latest, Episode 51: No One Needs a Juggler. In it, David talks about the feedback he received from another episode about his leaving social media.

In the current episode, he talks about the marketing challenges faced by self-employed creatives and some of the methods he used for reaching people before social media existed. It’s something on which I currently spend a great deal of mental energy. With so much content out there, it’s more challenging to get noticed in today’s world, but not impossible. It involves a great deal of work, not merely to create the art, but to get people to see it. While I am no expert at this and have made mistakes from which I’ve learned valuable lessons, I’ve also done many things right.

For most of my career, I’ve had a website that gets redesigned and improved every so often. I have it professionally done, try to keep it simple, and have always given serious consideration to feedback. I’ve kept a blog since 2008 and a newsletter since 2014, which has helped me become a much better writer. While blogs may seem antiquated to some, I regularly receive positive feedback on mine.  I’ve shared the details behind the work, milestones and setbacks, incredibly personal stories, both good and bad, frustrations, motivations, and highlights.

It would be easy to focus on the losses this year, and I’m not going to give you yet another positive ‘we’re all in this together’ message because we get those every day, and we’re all a little tired of them.

David’s podcast this morning reminded me of the one precious thing I have that I never want to take for granted, and that’s all of you.

Many of you have followed my work for a long time, some for almost two decades. Seriously, I could list a bunch of your names who have been supporting my work for well over ten years. Many of you remember the days when the extent of my work was editorial cartoons and celebrities’ caricatures. And a lot of that work was terrible!

Over time, the list has grown, and more of you have signed up for the ride. When I left Facebook and Twitter, many of you signed up for my newsletter. I know many of your names but have never met you in person, and I may never will. Some have never bought a print, calendar, mask or product, yet you send me regular emails telling me how much you like something I’ve created. That encouragement is just as valuable to me as a sale, and I mean that.

Some of you have commissioned paintings of your pets, a few more than once. I know which of you like big cat paintings, the ones who love bears more than any other animal, some of you name your prints when you get them, and some have even shared your personal struggles with me. I know that a couple of you buy prints to send to your grandkids overseas, more than a few of you have whole walls of my images in your homes, and I’m well aware which of you are patiently waiting for me to paint your favourite animal one of these days.

Though I do include links to the online store in each newsletter, hopefully you don’t feel like I’m always trying to sell you something. On the other side of that, however, I hope you understand when I have new prints or products to advertise or let you know about a pre-order or sale.

You don’t need me to tell you that 2020 has been a year like no other. While it’s personally been a challenging year, I’m surprised to find that I’m actually in a better frame of mind in December of this year than I have been in many others. I think it’s because I’m beginning to realize what I could be discovering if I wasn’t so desperately trying to hold on to what I’ve got.

2020 has taught many of us that the things we always thought we could count on are illusory.

I’ve got some new things on which to focus in 2021, stuff that I have been reluctant to try for fear that it might not work. I bought a webcam, and I want to try doing some painting demos on my YouTube channel. Not formal, scripted lessons, or start-to-finish paintings, but talking about what I’m doing while I’m painting. Ten minutes here, ten minutes there, videos that answer common art questions. Who knows where it might lead?

Thanks for being here, for following along, for your encouragement, for the emails you send after I publish a newsletter or release a new painting. Thanks for so many thoughtful responses to the Cartooning COVID video essay I posted this week. I didn’t expect such a positive response, and I’m glad it connected with so many of you. Many of my newspapers either published it on their sites and social media or are doing so this week. One even called for an interview about it.

And finally, I will take some more advice from David duChemin’s podcast and do something incredibly uncomfortable. I’m going to ask for your help.

It always strikes me funny when one of you sends me an email asking if you can share something I’ve sent. I not only love it when you think enough of one of my creations to share it with your friends and family; I want you to. Word of mouth is an absolute requirement for the success of my business and career.

When somebody buys a print from me, I always include a personally hand-written card in a little envelope, along with two business cards. One is for you to keep, and the other so you have one to give away. The best compliment you can ever pay me is to refer my work to somebody else.

So here’s the ask.

In the coming year, if I share a new painting, a video, a written post, a cartoon or anything else that connects or resonates with you, the best thing you can do to help me keep doing what I love to do is to share it. Please send it in an email to one friend, share it on your sites, on social media, private messages, or post a link to my site with my sincere gratitude.

If you have any questions, thoughts, suggestions, or simply want to say hello, please drop me a line. I try to respond to every email I get, and I love hearing from you.

Finally, as this will be the last post before Christmas, I know it’s going to be a tough one for many. Long-time followers know that I’ve never been a fan, but that doesn’t mean I’d ever want to diminish anyone else’s holiday. However different things look for you this year, I hope you can find some joy and peace.

Merry Christmas.

Cheers,
Patrick

As promised, here’s the link to David’s podcast and to my friend Crystals’ site.

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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To Post or Not to Post

My wife Shonna is an excellent cook. She finds recipes online, experiments with them, and usually produces something delicious, although she always feels she could do better the next time.

We’ve had a running joke in our home for as long as I can remember. When Shonna gets ready to go shopping for ingredients, or starts gathering things in the kitchen, I’ll sometimes ask, “what are we having?”

Her answer is occasionally, “(Some recipe) or pizza.”

Which means, “I’m trying something new, and if I screw it up, you are going to get pizza.”

I think I’ve had to get last minute pizza maybe three times in the 26 years we’ve lived together.

Shonna has a job she likes at a law firm, and works at Safeway part-time, because while she’s minimalist when it comes to stuff, she still has expensive tastes. Not for clothing, jewelry, or a luxury vehicle, but with most things, she consistently buys the best quality she can afford.

We budgeted more for our recent renovations, so she could get the kitchen she wanted, rather than settle for something less. She hated our old kitchen.

I can keep myself alive, and have simple skills in the kitchen, but I am not a good cook, primarily because I don’t enjoy it. I’ve had to convince Shonna that cooking is creative, that if she and I both followed the same recipe, it would be the difference between fine dining and a TV dinner. She doesn’t realize how much tinkering to taste she does, based on interest and experience.

Shonna has never had interest in cooking professionally, she just enjoys the challenge, the process, and of course, the result.

Recently, she bought a Staub Cocotte, which to me is just a heavy and expensive pot. She told me she’s had this recipe for no-knead bread for about ten years, and finally wanted to try it. I had no idea why she needed this French cooking pot, considering she has so many other cooking pots. But she lit up when telling me about it, kind of like me with a new Wacom display.

The bread was delicious.

All I needed to know was, how do I clean it, without damaging it?

When Shonna’s spent hours in the kitchen making a delicious meal, which will usually involve plenty of leftovers, it’s a foregone conclusion that the cleanup is on me.

Sure, she cleans as she goes, puts some stuff in the dishwasher, isn’t throwing food at the walls but I’m the cleanup guy, without complaint.

Since I work at home, I do most of the housework. As for most of us, it’s a boring chore, but a necessary evil. The only thing I like about it is the result.

We each do our own laundry, but I wash the bedsheets. Shonna will sometimes pick a deep-clean project, but the day-to-day tidying and cleaning is on me.

Even though I have a full plate of work right now, I found myself fuming earlier this week for no apparent reason. I got a cartoon done and sent, but I couldn’t shake the dark cloud over my head. I had already planned on sweeping and tidying, but once I got moving, I kept going.

We live in a townhouse condo. Not a big place, but three levels with two flights of stairs, and luxury vinyl plank flooring throughout. That was the second round of renovations a few years ago. It’s a great floor, but it’s dark, so it gathers and shows dust. Sweeping always takes longer than anticipated and the stairs need to be done twice. But it’s always a good feeling when it’s done.

In my grumpy mood, I needed to burn off some steam. So after sweeping, I decided to wash the floors. Not with a mop or wet Swiffer, but hands and knees washing, multiple water changes, moving furniture, shaking out area rugs. It took about 2.5 hours.

After her own difficult day, Shonna appreciated coming home to a clean house, I was able to spare her my foul mood, and I enjoyed the sense of accomplishment.

I had another opportunity to reinforce this lesson later in the week.

At the end of my work day on Thursday, something somebody said to me prompted me to write a post about how following the news and social media all day is bad for mental health. In our current global situation, increased time spent at home has more people glued to their devices and cable news.

We’ve become more afraid, anxious, and angry which keeps us going back to those poisoned wells looking for certainty, where there is none to be found. The simple answer is to turn it off, and if you can’t, then that’s likely an addiction issue.

That’s the whole post in two short paragraphs. But what I first wrote was 2000 words of ranting. It was cynical, bitter, preachy, and self-righteous.

Isn’t that what the world needs more of right now?

Rather than power through on the editing, I left it for the next day and went downstairs to make my dinner. While heating up the leftovers, I realized that I was in a pretty decent mood, and felt a little lighter.

Because the products I sell are the results of my time spent creating, anytime I draw, paint, or write something, I get stuck in the mindset that it must be quantifiable. When I make time for fun work, like painting portraits of people, it feels like skipping school or taking a sick day to go golfing.

To write 2000 words, likely 1500 after editing, and not post it, felt like wasted time, which is why it was difficult to admit there was nothing to gain from sharing it.

The Artist’s Way is a book by Julia Cameron. I read it in the late 90s, but it’s still popular today, for good reason. It’s about boosting your creativity. One of the practices in that book is called The Morning Pages; writing three long-hand pages first thing each morning, stream of consciousness stuff, no editing.

It’s not quite journaling but it accomplishes the same thing. It’s about getting all of the stuff that’s in your head out onto the page, like weeding a garden, so all that’s left is the pretty flowers or delicious veggies.

I wrote those morning pages for about a year and still have those notebooks. In the beginning, it was rambling incoherent drivel, but the later stuff had some interesting thoughts and ideas that I enjoyed reading twenty years later. That’s also the point of the morning pages. When your subconscious mind understands that this is going to be a daily thing, it seems to realize that perhaps it should come up with something worth writing about.

I eventually gave up the practice because first thing in the morning is when I do my best painting and editorial cartoon work. I’ve only got a window of about four hours from 6 – 10 when I’m at peak performance. After that, I slow down a little, run errands, do admin work, and then I’ll sketch more cartoons in the afternoon and do some writing.

Just like the housework, I didn’t enjoy that angry rant while I was writing it, but I felt better when it was done. I got all of that negative garbage out my head, making room for more positive creative ideas, stuff that might actually benefit somebody else when they read it, rather than give them shit for being human.

I no longer consider that hour of writing to be wasted time, because experience isn’t just about learning what to do, it’s also about learning what not to do. By taking out all my frustration on the keyboard, much like a punching bag, I exhausted that angry little demon in my head, giving him time for his tantrum so he could finally go down for a nap and allow me some peace.

And I learned that just because I write it, doesn’t mean I need to share it, adding even more negative energy to an already wounded world.

I’d still like people to consider turning the dial down on their news consumption. There’s an excellent 2013 article from The Guardian by Rolf Dobelli, entitled “News is bad for you – and giving up reading it will make you happier.”

It’s important to pay attention to our community news and keep informed about the world around us, but Dobelli’s article makes some excellent points for pulling the plug on most of it, and does it much better than I would have with my venting tirade.

When the world is beating us up with challenges and bad news as it has all year long, it falls to each of us to consider our role in it. Before sharing news links, divisive opinions, and angry memes, take some time to pause and reflect. Be honest and ask yourself how it will help somebody cope in this difficult time. Will it make them feel better or worse?

Sometimes not sharing something will be the kindest thing you can do.

___

© Patrick LaMontagne
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Cartoons, Clichés and COVID

There’s an exhaustive list of images, references and tropes that cartoonists (over)use. I could attempt to list them all and it would still only be the tip of the iceberg. Oh, that’s one right there.

The Statue of Liberty or an eagle representing the US, a beaver for Canada, a bear for Russia, panda for China, St. Peter at the Pearly Gates greeting whichever notable figure just died, or somebody looking down from heaven. Variations of logos for the Olympics, companies, and events; broken records, road signs, going off a cliff or over a waterfall, weighing scales, talking animals…it’s a long list.

I’ve yet to meet any cartoonist who hasn’t used many of these, although most will be quick to criticize another for doing the same. I’ve been guilty of both of those, more than once. Sometimes it’s laziness, other times it’s trying to find a new angle on an old theme, and more often than not, it’s desperation.

But we’ve all used these tropes.

It’s a point of personal pride that I’ve never drawn a pearly gates cartoon, but that’s splitting hairs, because I’ve used almost all of the others.
As you can see above, I released a cartoon this week that used one of the biggest clichés in cartooning. The Titanic has been drawn often, by many. I don’t think I’ve drawn the whole ship before, but I’ve certainly drawn sunken or sinking ships and alluded to the iceberg, which is the same thing.

The Titanic represents hubris, man’s ego coming back to bite him in the ass. It’s appropriate for politics, corporate greed, and blind ambition, unchecked by reality. Sooner or later, an iceberg comes along to challenge the unsinkable claim. PLENTY of cartoonists have drawn politicians standing on the bow as it sinks.

While I would normally avoid the Titanic imagery, and I’m sure other cartoonists who see it will roll their eyes at my audacity for bringing it out of mothballs, it was a popular cartoon this week. I heard from several editors who loved it, proving once again that we’re supposed to be pleasing our customers, not each other.

In my experience, most of us are bitter and cynical ‘hey you kids, get off my lawn’ types anyway, as insecure about our work as every other artist, something a few attempt to hide with false bravado and imagined authority that everybody else sees through.

It happens in every industry, especially creative ones. Artists will spend days debating details that nobody else cares about.

When I used to attend the Photoshop World conference each year in Las Vegas, several classes I attended were for photographers. Long before I took the volume of photos I do today, I learned a lot from those classes, because what makes one image better will ultimately make another image better.

Alan Hess is a skilled concert and event photographer, author, instructor and he takes photos of other genres as well.  He’s also a friend, who helped me out with reference photos in the early days of animal work, and I wrote a guest piece years ago about digital painting on the iPad, for one of his books.

During one of his classes, Alan shared a photograph, then zoomed in to show that, seen up close, it was grainier than it looked at full size. I can’t remember the context of that lesson, but something he said has always stuck with me.

“You know who cares the most about noise in photographs? Photographers!

It still makes me smile, because that kind of quibbling over inconsequential details exists in every field, especially creative ones. Artists will obsess (!!!) over the most ridiculous things in their work. We’re miserable about it. We’ll talk each other to death about details that nobody sees or cares about, and judge each other harshly for it, almost as much as we judge ourselves.

Plenty of freelance writers who imagine themselves Hemingway or the next Woodward or Bernstein will author listicle after listicle to pay the bills. You know the articles I’m talking about. 21 Uses for Old Underwear or 10 Reasons Your Editorial Cartoons Suck!

Then they’ll judge other writers for releasing yet another listicle.

We’re all hypocrites.

While it’s still worthwhile to try to be original and not fall back on tired or overused imagery, sometimes it is indeed that imagery that works best, because it resonates with people. There’s nothing to be gained by over-complicating a simple message.

And sometimes, it’s just an off day with a deadline.

I enjoyed drawing the Titanic in this cartoon. I could have spent a couple more hours nitpicking it. But that would be obsessing over details that nobody would see, and in a deadline-driven profession, time is money.

The downside of these tropes, however, is that when other cartoonists draw on them, eventually you’re going to use the same ones, sometimes on the same day. A well-known moment in editorial cartoon culture is that many cartoonists used the same image to depict the events on 9/11, the Statue of Liberty with tears in her eyes.

I was about two weeks away from trying to become a syndicated cartoonist when that happened, so I didn’t draw a 9/11 cartoon, though I certainly wouldn’t fault any of those artists. How original can you be with such a monumental event, with no time to let it all sink in before drawing a cartoon? The deadline was as immediate as the disaster.

They call this a Yahtzee when multiple cartoonists come up with the same idea. The fact that they even have a name for it, reveals that it’s not uncommon. While idea theft does happen, it’s more often just a bad luck coincidence. None of us wants to draw the same thing and the ones who do steal ideas are usually well known for it.

In my experience, this kind of thing happens a lot in holiday seasons, whether it’s Halloween, Thanksgiving, the New Year, and especially Christmas.
I drew this cartoon yesterday afternoon and sent it out first thing this morning.

Then I went to peruse the daily papers that publish my work to see if they’d printed any of mine. In the Edmonton Journal, I saw this cartoon by Malcolm Mayes, their staff cartoonist. I will admit to uttering a four-letter word or two.
I don’t need to tell you that Rudolph is as common a Christmas image as Santa, the elves, the North Pole, a lump of coal, a stocking, a tree, lights, we don’t have all day. Malcolm and I won’t be the only ones to imagine the COVID-19 virus replacing Rudolph’s nose. It’s low-hanging fruit and if we hadn’t used it this week, somebody else would use it next week, or already has and I just haven’t seen it.

I’ve been sending out 7 cartoons a week, every week, for many years, as have all of my colleagues, especially the ones that are still managing to make a living in this profession, or part of one. With that volume of content, it’s the truly original ideas that are the exception, not the rule.

In the old days, before the internet, an editorial cartoonist with a daily staff job had all day to stew over an idea, come up with multiple angles, try to squeeze out another ounce of cleverness, and take hours to bring a cartoon to life. A very few still have that luxury, knowing that spot is reserved for them every day.

Back then, once the cartoons were published, they wouldn’t immediately see what their colleagues at other papers had drawn because it didn’t matter as much. These undesirable coincidences wouldn’t even get noticed.

But today, with instant connection, websites and social media, freelance cartoonists are often competing for the same open spaces, so it’s as much about the speed of delivery as it is about the idea. First past the post often wins the day.

What’s worse is that we’re not just competing with each other, we’re competing with viral memes and videos, too. I keep a long list of ideas for editorial cartoons and can’t tell you how often I’ll see a meme that necessitates me opening that Word file, finding the same idea and deleting it.

The holiday season will see a lot of cartoonists combining masks, sanitizer, and distancing, our now universal COVID clichés with all of the traditional Christmas ones we trot out every year, trying to be original, but ultimately failing. This dominating news story isn’t going away soon and having to find a way to draw something new about COVID-19 day after day after day after day…it’s exhausting.

I know this cliché cartoon coincidence will happen again and it will bother me as much as it did this morning, but will probably go unnoticed by most, except for other cartoonists.

Cheers,
Patrick

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© Patrick LaMontagne
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Puzzling

A box of Spilsbury puzzles arrived at our door today. I knew these were coming sometime this year, but had no idea when.

Over the years, my images have found their way onto many different products, through licensing deals I’ve signed. I’ve written about licensing before, but the short version is that when a company wants to use an artist’s work on a product, they pay the artist a royalty. It’s usually for a set amount of time, two or three years, an agreed upon percentage, for a specific region, and stipulations regarding exclusivity. The contracts have a lot more details in them, but the general idea is pretty simple.

I have licenses for T-shirts and apparel through Harlequin Nature Graphics and decals/cases for phones and devices through DecalGirl. Pacific Music and Art has licenses for a wide variety of products, some of which are coffee mugs, art cards, magnets, aluminum art, coasters, trivets and as a consequence of our current situation, face masks and scarves/neck gaiters.

My interactions with these companies are quite simple. I’m almost always talking directly with the owner and I enjoy that one on one relationship.
Art Licensing, an agency based in New England makes my library of funny looking animals available to their extensive client list around the world. They act as my agent in negotiating those deals, for which they take a percentage. When a company is interested, Art Licensing sends me details of the arrangement and I approve or decline the offer. Because they’re professionals at what they do, they’re aware that I have other licenses and what those are, in order to avoid any conflicts between competing companies selling the same things.

I research the company, decide if I like the deal or not, and reply with yay or nay. Because Art Licensing knows their business, I usually approve, but I have declined a couple in recent years. When I’ve done so, they accept my decision without argument and we move on. Occasionally I’ll request a change to an offer and they’ll go back to the company with the request. If they accept it, the change is made, if they don’t, then I decide if I can live with the original terms.

For licenses obtained through Art Licensing, I don’t have any interaction with the companies making the products. From time to time, somebody following my work will send me a link to my art on a site somewhere and ask me if it’s legitimate. I do appreciate these emails, grateful that many of you are looking out for me and my work, but also because I do occasionally get ripped off and have to deal with that.

Most of the time, the links I’m sent are on the up-and-up. If I don’t know the company name selling my work, a little digging will often reveal that they have a parent company with whom I do have a license through Art Licensing. A customer recently told me he had seen my work for sale on a print in Macy’s in Texas. Sure enough, the company that put that art in Macy’s had a license to do so.

There are some artists who balk at giving up a percentage to wholesalers, galleries and retailers, but without those businesses, mine wouldn’t exist. Licensing is a desirable business model for many artists. I would never have the time, energy, capital or connections to manufacture all of these products and get them into stores all over the world. Licensing allows an artist to receive income from their work while continuing to create more, generating revenue year after year from the same images.
Spilsbury is a company that licensed four of my images at the beginning of this year. They optioned my Smiling Tiger, Great Horned Owl, Bald Eagle and Wolf paintings. While many of my licenses offer samples to the artist in the contract, this is the first time I’ve actually requested them. I really don’t want a warehouse of licensed items, especially as I get more of them. I’m not sure why, since I can’t recall Shonna and I ever putting a puzzle together, but I wanted to see these in person.

I did not expect to receive 12 of them, but I enjoyed opening that box. The puzzles come in 300 and 500 piece versions, so they sent me three of each of two of the designs, the Smiling Tiger and Happy Horned Owl. Looking on their website, they renamed the other two as the Earnest Eagle and Winsome Wolf. I have no issue with that at all, that’s just marketing. They sell them individually, or in bundles of two on their website, you can check them out here.
While I intend to keep one of each for myself, I’m going to give away the others via my newsletter. I don’t know how that will work yet, but I’ll give it some thought. I’d like to have fun with this, as we can all use some of that this year.

I’ll admit that I’m curious if putting together a 500 piece puzzle of my own painting will be easier, since I know those brushstrokes better than anyone. I’m going to save finding out the answer to that for an afternoon this winter, a hot chocolate and cookies next to me, with a snowstorm raging outside.

Cheers,
Patrick

EDIT:
It has come to my attention that Spilsbury does not ship to Canada. I tried it myself and the only shipping options they have is for the United States. That’s annoying, especially for those of you who have already told me they wanted to order some puzzles.

Apparently that’s the downside of not dealing directly with the company, in that I didn’t know that. It’s still a great license for me personally, but not for all of you. For that, my apologies.

For those of you in the US, that doesn’t change anything. Sadly, for my Canadian followers, these aren’t currently available. Should that change in the future, I will let you know.

Sorry to be the bearer of bad news if you were looking to get a puzzle.

Cheers,
Patrick

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
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New from DecalGirl

One of my favorite licenses is DecalGirl. They make custom cases, skins and wraps for a wide range of phones, tablets and other devices. Several of my paintings have been available for quite awhile and I’ve been impressed with the quality and look of them since the beginning of our relationship. I’ve got a Shark decal on my laptop, Smiling Tiger on my iPad, Berkley’s face on my phone case and various other sleeves and cases.
As of this week, there are now 17 of my paintings available on their site. No matter which electronic device you’ve got, there’s a good chance DecalGirl has a case or decal that will fit. They’re all pre-cut with the holes for the buttons, speakers, microphones. The vinyl is easy to apply, long-lasting and colourfast. My laptop is a pretty specific model, but I simply entered the dimensions online and when it arrived, it fit perfectly.

Here are four new designs they’ve added this week. There’s a good chance I’ll be getting that lion on a phone case for myself. Click on an image below to see it on their site, or follow this link to see the whole collection of my available work. For a limited time, use the promo code FALLSAVINGS for 25% OFF.

Cheers,
Patrick

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Where Does the Time Go?

It doesn’t seem like too long ago that I took a break from the blog, newsletter and Instagram. I realized this week, however, that it’s just a few days shy of two months, which feels like long enough. I’ve got a longer post coming shortly about the break, but I figured I’d ease into it today with a few updates.

New Paintings
I’ve completed two new paintings over the break, with a third that I’ll finish in a day or two. Here’s the first one…Gold.
I took the reference for this painting over two years ago, while up at the cabin that friends and I rent near Caroline. As with many of my paintings, there’s often quite a bit of time between taking the reference photos and using them. I found this painting a little intimidating as I find horses especially challenging, but I’m pleased with how it turned out. This was completed about a month ago.

As always, if you’d like to share my work, please do, with my thanks.

Here’s a closer look.

Masks
In recent weeks, many communities have made it mandatory to wear a mask. A month ago, I often felt like a conspicuous minority when wearing mine in the grocery store, but now it seems like anyone not wearing one is the outlier.

I’m at home most of the time, but Shonna has seen quite a few people wearing the masks featuring my artwork. I’ve had friends, family members, and newsletter followers send me pictures, too. From displays at stores to family outings in full mask regalia, I’ve enjoyed seeing those.

Many have said they get compliments on the masks (I have as well), and people are asking them where they can buy some.
The initial pre-orders went well, the first two resulting in substantial orders, the third one quite a bit smaller, but a clear indication that those who follow my work got what they needed. Lately, I’m receiving more inquiries.

While I could do another order, I don’t think it’s necessary. You’d order masks from me; I’d place an order with Pacific Music and Art, they’d ship them to me, then I’d send them to you. At the beginning of this adventure, the printing and delivery pipeline was shaky, there were bugs to work out, and we were all still learning the ropes. In that climate, the pre-ordering worked well.

Now, Pacific Music and Art has a streamlined system for efficient ordering and delivery, both for individuals and retailers, and I’m advising people to buy directly from them. You’re still supporting my artwork because I get a royalty from each sale.

Shopper’s Drug Mart in Canmore has a nice selection of my masks, and I’d encourage Bow Valley residents to support that local business.

Shonna’s Mom and her husband came down for the day on the weekend. When they came over for dinner, they said they saw my masks in some stores in Banff.

A friend of mine (thanks, Fred!) sent me this photo of one of the large mask displays at the Calgary Zoo. They’ve got a few new designs, too.
With all that in mind, I’d encourage you to support these and other retailers currently selling my work, rather than do another order myself right now.

If you’d like to order from Pacific Music and Art directly, here’s the link.


Cartoons

Even though many of my newspapers still haven’t hired me back, I’ve been drawing the same number of cartoons each week. My clients are used to having a wide selection to choose from, so it didn’t seem fair to deprive them of that, especially since they’ve kept me in groceries this summer. While I draw them every day, cartoons are posted weekly on my site, either on Wednesdays, Fridays or both.

You can see them all on the Cartoons page.

Instagram

As you read this, I’ll have re-installed the Instagram app on my phone and iPad to start posting images again and see what’s been going on with my friends and fellow creatives. I’m not looking forward to being back on social media, but promotion is part of the business, which will be the subject of a forthcoming post, possibly in the next few days.

You can follow me there at @lamontagneart

I hope you’ve all been well, as we adapt to…whatever this is becoming. With the US election powered up, the Canadian Parliament prorogued, the ongoing debate about masks, COVID cases up and down, and whatever other steaming piles of excrement 2020 has yet to serve up for our consumption, I’d ask that you ponder the following.

This is tough for everybody. Each of us is dealing with our unique challenges. Before sharing passive-aggressive memes, angry political rants, and self-righteous nastiness, please reconsider. Given how social media works, chances are you’re only sharing that stuff with people who agree with you anyway, preaching to the choir as it were.

Speaking from experience, you won’t make yourself less angry by feeding that insatiable beast. Consuming and sharing bad news every day will make you miserable.

Play nice, would ya?

Cheers,
Patrick

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Pit Stop

I started a new painting yesterday morning. About an hour or two in, I found myself wondering at what point I should share a work-in-progress screen shot on Instagram or maybe record another video or two of a close-up of the brushstrokes. Suddenly I wasn’t focused on the painting, I was thinking about promoting it.

In our online content-obsessed world, there’s a ton of pressure on self-employed artists to always be sharing images, works-in-progress, blogs, memes, photos, thoughts and snapshots of life in general. A lot of that pressure is self-inflicted. For most of us, there’s nobody standing at our back, cracking a whip.

Working artists are not only driven by the need to earn financial compensation for our creations, but to also get the likes and shares, new subscribers, and to expand our reach and audience. It’s an endless quest for that validation high, convincing ourselves that just a few more followers will get us closer to the carrot on the stick.

Like any addiction, it’s never enough. The dopamine hit that did the job yesterday doesn’t quite do it today.

Promotion and advertising is part of any business, there’s no escaping it. While it would be nice if there were any truth to that famous whispered line in Field of Dreams, it’s a fantasy to believe that “if you build it, they will come.”

Yes, I know the line was actually “he” will come, but I’m paraphrasing.

If you’re in it for a living, it’s not enough to create something; you have to sell it. It becomes a hamster wheel and it’s easy to lose perspective. It feels irresponsible to ease off on the gas pedal, that any momentum earned will immediately be lost. But it’s an unsustainable pace, and every machine needs maintenance.

I’m taking a summer break from the promotion.

I’ll still be drawing daily editorial cartoons, filling print and calendar orders, answering emails, shipping and delivering the masks when they arrive, basically running my business as usual, but I’m trying something new.

For the next little while, likely a month or six weeks, I’m taking a break from the blog, newsletter, and Instagram to focus on painting and writing. I need to get better at time management, and something has to give, at least in the short term.

I want to work on a piece, without having to think about how to share it, either while it’s in progress or when it’s completed. I want to finish a painting and not have to immediately write about it, size it for the site and Instagram, copy and paste the gaggle of hashtags, then check to see how many people like and comment on it over the course of that day.

It often feels like shouting in a crowded stadium, desperate to be heard above the noise.

After sharing this post (ah, the irony), I’m temporarily deleting the Instagram app from my phone and iPad. It would be too easy to tap that icon and fall back into the habit.

It’s a scary proposition, filled with what-ifs. I might lose subscribers, followers, sales, interest, but I don’t think that’s realistic. I’m simply taking a vacation from sharing everything, carving out time to regroup, to consider where I want to go with my work.

When I come back, I expect I’ll have a few new paintings, wildlife photos and stories to share. But who knows? As we’ve all learned the hard way this year, nothing is certain.

Enjoy your summer.

Cheers,
Patrick

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.