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Goofy Grizzly


Here’s a painting of one of the younger bears at Discovery Wildlife Park. I took the reference in September of last year, but because there were two bears the same age, and I don’t know them as well as I do Berkley, I didn’t know which one I was painting.

I sent the finished piece to my friend Serena, the head keeper at the park, and she immediately said it was Bos (rather than Piper), which I took as a compliment that she could identify the bear from my painting. Another keeper also knew which as well, so it felt pretty good that even with my whimsical style, I got the personality and likeness right.

Serena reluctantly mentioned an anatomy issue with one of the paws/claws and said the claws looked more like a black bear than a brown bear. I asked for more clarification and spent some time repainting the problem area.

When it comes to unsolicited criticism, the kind most people offer is a glib comment that costs them nothing, so they speak before thinking. Unfortunately, it can often be unkind, malicious, or personal, which usually says more about the critic than that being criticized.

One of the pillars supporting social media is that we’re all so sure of our clear view from the cheap seats. It has always been easier to tear somebody down than build them up.

Constructive criticism, however, is a valuable resource, and artists need to cultivate relationships with people who genuinely want to see them create better work. For example, my buddy Derek and I have often sent each other paintings in progress, asking for critique.

Another tattoo artist friend sent me a beautiful sea turtle painting he’d completed the other day and asked my opinion. I loved the piece and enjoyed seeing it but had no suggestion for improving it, which isn’t unusual.

Most of the time, we’ve each scrutinized our work to death already before we request a second look.

But staring at a painting too long, sometimes you miss what’s right in front of you until a trusted friend and colleague points it out. Then you wonder how you ever could have missed it. Or you make the suggested change to see the results and agree it was a better choice.

When you do get an honest critique from someone whose intentions are genuine, be grateful. That person took the time to help you improve your work.

Serena’s not a painter, but when it comes to animal anatomy, I trust her eye, and I’m glad she saw what I missed. Better still, I’m happy she said so, rather than worry that I would take it personally.

From time to time, however, the creator of a piece might consider a critique and still disagree. That’s fine, too. Every artist sees things differently, and ultimately it comes down to making your own choices. I’ve had plenty of well-intentioned suggestions over the years, both on specific pieces and my business in general, that I decided weren’t right for me.

You never know, however, when somebody might offer a solution to a problem you didn’t know you had. For example, my buddy, Darrel, casually suggested vinyl stickers a while back because he saw a few on vehicles and thought my work would lend itself to those. I’m glad he did because my stickers are now doing well in a few retail stores, and I’m actively seeking more resellers.

But then, I also get a lot of people suggesting I create children’s books, and it’s just not something that interests me.

This painting was supposed to be a practice sketch. But my obsessive nature and perfectionist tendencies don’t seem to allow me to stop if I can just paint in a little… more… detail. So, this became a finished piece. I think it will make a nice sticker, too, and possibly a print later.

Regardless of where it ends up, I consider any time painting bears to be time well spent.

Cheers,
Patrick

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A Turtle and a Grizzly

Two new prints are now available in the store, the Sea Turtle and Grizzly on Grass.

All of my prints are professionally printed in Victoria, BC at Art Ink Print. Their commitment to quality and consistency means I never have to worry about what I’m getting when the shipment arrives. Despite having used their services for several years now, I’m still impressed each time I see a proof for a new painting. I can’t remember the last time I’ve had to make a colour adjustment and re-proof.

It can be frustrating sometimes to buy an art print, then have to spend three or four times as much having it professionally framed. That’s why each print in my store is 11”X14”, a standard size that makes it easy to find a store-bought frame. Each print is hand-signed. Not to worry, that website address is not on the actual print.
To purchase either of these prints, click on the images, or browse around the store to choose from more than 50 available paintings.

Cheers,
Patrick
© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt

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Another Berk in Progress

Here’s a sneak peek at a new painting of Berkley that I started this morning. I took the reference for this one in September 2019 at Discovery Wildlife Park but didn’t see the potential in it until just recently.

She was lying in the grass, looking right at me, so it’s actually a horizontal image, but I’m painting it vertically so that I can get the expression right. When it’s finished, people can hang the print whichever way they want, so that’s a fun little twist.

As the painting develops, I’ll paint in blades of grass in the foreground on the right side. It will partially obscure that side of her face but give the whole image a sense of place.

Yesterday, my friend and head keeper Serena sent me a personal video and a couple of photos to let me know that Berkley has woken up from hibernation. While it’s already warming up around here, seeing that sleepy 4-year-old brown bear’s face certainly makes it feel like spring might finally be around the corner.

Having raised her from a weeks-old cub, Serena and Berkley have a special bond, and I don’t know who was happier to see the other.

I’ll share more work-in-progress shots with my newsletter followers as this painting progresses, but I don’t think this one will take long. There’s no other face I like painting more than Berkley’s.

Almost all of the animals at Discovery Wildlife Park are orphans and rescues; many are brought to them from Alberta Fish and Wildlife. These are animals they can’t release back into the wild and would otherwise have to destroy.

While animals in captivity are never ideal, people have made many bad choices, and there are very few places in the world where animals are truly wild outside of protected regions.

I live in an area where trains, highways and tourists are the biggest threat to bears, wolves and other wildlife. By leaving food in easy reach, approaching wildlife, and even deliberately feeding them, we teach them to associate people with a free meal. When they eventually become too comfortable or even aggressive, they often must be euthanized.

Hazing and relocation to other areas will occasionally work, but most often, the damage has already been done and is irreversible.

Discovery Wildlife Park works to educate guests and visitors about coexistence and conservation, which is why I support their efforts.

But without financial support, they wouldn’t be able to do the work they do.

Discovery Wildlife Park is closed for the season right now, but they’ll be open May 1st. With 90 acres of space in which to move around, it’s a great place to get outside and spend time with the animals while still being able to social distance. While you’re there, make time for their daily scheduled presentations to learn how you can help keep wildlife wild.

Memberships are currently on sale for almost 50% off, granting unlimited admission all season.
© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt

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Brown Bear Beauty


Yes, it’s another painting of Berkley, without apology.

Every time I see her, I think of all of the garbage I pay attention to in my daily life that just isn’t important, stuff I should let go. If I had to pick one word to describe this little bear, it’s joy. She sure knows how to live in the moment and has a personality that just can’t help but make you smile.

I was up at Discovery Wildlife Park in the middle of last month and Berkley’s enclosure was my first stop. With the camera ready, I went to the bottom of her large enclosure and seeing her at the other end, I called out to her. She looked, sniffed the air and came right to me. I tried to take shots of her while she was coming, but no dice.

Once she got to the fence and I started to talking to her, there was no chance for good photos, too close to the fence. She started digging as she usually does so I walked only the fence line with her and she followed me. Just a cartoonist and a bear going for a walk, it’s still a strange but wonderful experience.

At one point, other visitors came up to the fence so I stepped back so they could see her, but because I was behind them, she started digging again and accidentally hit the electric wire that surrounds the enclosure. There was a loud snap, Berkley let out a startled ruffing growl and ran away into her enclosure.

It’s important to note that the electric fence is the same as a cow fence. It doesn’t hurt her and is of low enough power that it just acts as an annoying deterrent and the animals learn to avoid it. The keepers regularly come into contact with the wires and get zapped themselves, with no lasting effects.

Berkley retreated to her large pile of tree trunks in the middle of her enclosure. Last year, she dug her hibernation den beneath it, so I imagine that’s her safe space. She was sulking a bit, but crawled around on top, and I was able to get some nice photos without the fence showing up in the shots.

It didn’t take her too long to forget about the shock and she came right back over to the fence to continue our visit.

There’s a lesson there, about moving on from the negative stuff, one I still have yet to learn.

Cheers,
Patrick
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