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Tangled

My wife and I watched the Disney film ‘Tangled’ again last night.  I bought this DVD before I’d even seen it which was rare for me, but there was something in the trailers that told me that even if the story was weak, the artwork would be worth it.  I wasn’t disappointed in either.  I posted on Facebook that ‘this artwork makes me high,’ and I wasn’t kidding.  There’s something about cartoons with a lot of life in them that just gets me excited.  While Disney may not do it for everybody, and I’m not a huge fan of every one of their movies, this style makes me want to be a better artist.  It makes me hungry to sit down and draw.

No matter what creative avenue you’re strolling down, if the scenery isn’t doing it for you anymore, and you’re bored, find something that will reignite that old passion and put a spring in your step.  I have a few go-to books and movies that do it for me.  Tangled is now added to that library.

I’ll often get people asking me if I want to animate, and the answer is a flat out ‘No.’  A number of years ago, when the general consensus seemed to be that Flash animation was the next step in editorial cartooning, I did create a weekly animated editorial cartoon called ‘Beaver Fever.’  Sort of a Rick Mercer/Jon Stewart wanna-be cartoon beaver with guests and commentary, that sort of thing.  A lot of people liked it, including some big media outlets in Canada, but nobody wanted to pay what it would take to keep me doing it, so I scuttled that ship.  I didn’t enjoy the work.  It felt tedious and mechanical.

Knowing what you want to do is essential in any career, but equally important is knowing what you do not want to to do.  I do NOT want to be an animator.

But I love movies.  I mean, I REALLY love movies.  I’m not obsessed with them, by any means, but I can watch some movies over and over again.  Tangled will be one of those.  I would love to work designing characters for movies one of these days.  Not full-time or anything, just a commission once in awhile.  It would be great to see some animal I created brought to life on the big screen.  That’s one of those things I regularly throw out there into the ether, because it seems to have worked well for a lot of other dreams that have become reality in my career.

Never underestimate the power of passion.  Glen Keane has worked on some of the best animated movies out there, often as Supervising Animator.  I’m talking about Aladdin, Beauty and the Beast, The Little Mermaid and of course, Tangled.  There are many others of course.  Those who followed the comic strip, Family Circus, as I did growing up, will be interested to know that Glen is the son of cartoonist Bil Keane, and was the model for the character Billy in that strip.

While I have known and admired Glen’s work for years,  I am most in awe of an artist who has been working in the field for as long as he has, a man who has done and seen it all in the world of animation, and yet still has that passion in his voice for his craft.  You can tell he is still excited to be doing what he’s doing.  Watch this video and you can see it.  Listen to how he talks about this character.  To Glen, she is real, she has life, and most importantly, she has passion.

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ImagineFX goes digital!


Just found out this morning that my favorite digital art magazine, ImagineFX has finally become available in a digital format. Regular readers will know how much I like my iPad, and one of the best uses for it is reading magazines. I’ve got four shelves on a bookshelf in my office containing many printed issues of Photoshop User magazine, various Computer Arts titles, and ImagineFX.

I had canceled my ImagineFX subscription awhile back because I didn’t have enough time to sit and read a magazine and some issues were going on the shelf unread. Figured I’d catch up before diving back in. One thing I love about the iPad is that I can have an entire library with me all the time, and magazines are perfect for this device. I can zoom in on artwork, read as much or as little as I want in a sitting, and quickly find an article in the future without having to sit down and flip through a stack of magazines. Best of all, it doesn’t take up any shelf space.

I’ve renewed my subscription, at a fraction of the cost, and all I’m missing out on is the DVD that comes with the printed issue, which most of the time I didn’t use anyway. ImagineFX is by far, the best digital art magazine on the market. I’m not even a sci-fi or fantasy artist, but I have learned more from this magazine about digital painting over the years than I have from almost any other resource.

Happy to now have it back, and in the format that I prefer.

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Inspired by Drew


Every artist should have other artists they look to when they need to find that spark to take their work just a little further. Lately I’ve been working through the winter doldrums and feeling a lack of inspiration largely due to a difficult project I’m currently working on, one that isn’t very creative. While very worthwhile, I’m not really having any fun with it and that’s frustrating.

It’s only temporary, and the end is in sight, but in the meantime, I went looking for a little inspiration this morning, and found it in a very familiar place, in a book called, “The Movie Posters of Drew Struzan.”

I’ve written about Drew Struzan before on this blog. Having reread that blog entry this morning, I realized that anything else I say about him would be repetition. He is easily my favorite artist (no really, my absolute favorite artist.) While the size of the images in this video do not do his work justice, you’ll still get the idea of why I continue to be in awe of and inspired by, the work of Drew Struzan.