My usual routine is to write a little blog post after each painting I do, to provide a close-up and maybe share a little bit of relevant info. Given the fact that I’ve been working on two commissions at the same time recently and finished them quite close together, I thought I’d share them both in the same post. It gives me an opportunity to show the difference between the two styles of commission paintings I do.
The first painting I recently finished was Loki, a beautiful old boy who passed away a little while ago. This is the second memorial painting I’ve done for this client; the first was Odin a couple of years ago. The client is very familiar with my work and chose a portrait style, which is quite often the case with memorial paintings I’m commissioned to do. With plenty of photos to choose from, I had the freedom to go with whichever pose I wanted to use. As usual, one photo spoke to me clearly and I got to work.
I usually only have a rough idea of what a painting will look like before I get started, but it’s usually enough. The background colour might change in the middle of a painting, but this one was orange and yellow from the beginning. The reference pic was taken in the fall and I knew those colours would just bring out his eyes. For me, it’s all about the eyes. If I get the eyes right, the rest of the painting will always come together. And if they’re wrong, nothing looks right.
Having lost a pet of my own this summer, there was a little more gravitas for me with this one. This old boy was loved a lot and I thought of that often while working on it. What a privilege.
The next painting was in my Totem style, which is a whimsical caricature look, the same way I paint my wildlife paintings. The clients saw my paintings for sale in About Canada Gallery in Banff while on vacation and looked me up to see if I did commissions.
Saxon was described as a “beautiful drooling mastiff” and when I saw the photos, I was inclined to agree. His personality was evident in many of the pics and again, I found one that I thought would best represent what the client wanted him to look like.
As is the case in many of my whimsical paintings, I found myself smiling a lot while painting this big fella, and even laughed out loud a few times. I really wanted to paint in long strings of drool coming from those jowls, but the client didn’t want that. A commission is a significant investment, and while most of my clients give me carte blanche to paint what I want, I’m willing to take direction if it makes for a happier client.
Case in point, when this piece was finished yesterday, I had intentionally made the body a little narrow to draw attention to his big head, but the client thought I made him too skinny and wanted me to bulk up the body a bit. I spent another hour on the painting last night and delivered a final that pleased everybody, including me.
No matter what style my clients choose for their paintings, portrait or whimsical, memorial or just because, it’s such an honour to be trusted with the task. I enjoy these a great deal and each one challenges and teaches me something new. These two were no exception.
These will both be sent for proofing tomorrow and I intend to have them printed, framed and shipped in a couple of weeks.
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