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Odds and Ends

As the title suggests, here’s a collection of smaller updates in one post.

Pacific Music and Art

The funny-looking face masks continue to be popular, now sold in many retail stores in Western Canada, Alaska, the Pacific Northwest, and everywhere else via their online store. The masks have gone through a recent design evolution. The image now covers the entire mask, the straps are more elastic, with a flexible nose bridge inside the upper seam. They still come with rubber grommets to make the straps more adjustable.
In addition to the masks, there are now face scarves available, fun because they’re so versatile. They can be used as a neck scarf, beanie, head band, head scarf and they can be doubled up over your face to serve as a mask.
Once again, the masks and face scarves are not for medical use and are not intended as a replacement for N95 masks or medical grade PPE.

If you’d like to see the available designs for both masks and scarves, follow this link. There are also some new face mask designs that previously weren’t available, so be sure to look through all three pages. Use the promo code Patrick5OFF, and you get 5% off everything on the site. The code expires at the end of December.

Limited Print Run

While a few of you told me that the Pennywise clown painting was not your cup of tea, and one of you even thanked me for not including it in the newsletter, one long-time supporter, and fellow Stephen King fan, wanted a print. Since I’m having it done anyway, I figured I’d see if anybody else wants one. Please let me know this week as I’ll be ordering them quickly.
And since I’m doing that one, I’m going to offer the recent Ripley painting as a print as well. These are 11″X14″ poster prints, so it’s easy to find an off-the-shelf frame wherever those are sold.
The price is $24.95 each, plus tax & shipping. Since these aren’t in the store, drop me a line to patrick@nulllamontagneart.com if you’re interested. I’m accepting e-transfer for Canadian orders and Paypal for the US (I’ll send you an invoice).

I won’t be keeping these images in stock, so this will be a pre-order. Please allow extra time for delivery.

Wacom

I’m recording another video for Wacom over the next couple of weeks. These are always challenging, but I usually end up having a lot of fun with them. For anyone new to my work, Wacom is the company that makes the digital displays on which I create my art. I’ve been using their tools for more than twenty years and welcome any opportunity to work with them.

A couple of videos I did this past year for Wacom resulted in two of my favourite paintings, the Ring-tailed Lemur and the Amur Tiger, shown below. I’m excited about the image I’m painting in this new video as well.

Sharing

I have been ripped off quite a bit throughout my career. People have used my images illegally for promotion, have altered my cartoons and paintings for their own agendas, and have claimed my images as their own work. One woman on Vancouver Island even used my Otter painting as her business logo and had large images on her store’s windows for two or three years. Then she had the nerve to get mad at me when I sent her a cease-and-desist. She argued that she found it on Google, so she thought it was free. Try that with Mickey Mouse and let me know how it turns out for you.

Sadly, it’s part of the online world. Once your work gets good enough to sell, then it’s good enough to steal. Every artist I know who makes their living from their creations deals with this problem.

But from time to time, people ask if they can share the paintings, cartoons, newsletters, and blog posts I send. While I appreciate that consideration, you don’t need permission. If I share it with you, then you can share it with anyone you like. In fact, I’m always grateful when people introduce my work to others.

As long as it’s not altered, my site name or signature remains on the image, and you aren’t making money from it, then share away, with my thanks.

Take care of yourselves. I’ll have something new to share in a couple of weeks.

Cheers,
Patrick

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

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Pennywise

While on a recent visit to the tattoo shop, one of the artists asked me if I was painting anything for Halloween.

For the past twenty years, I’ve drawn plenty of editorial cartoons with a Halloween twist, but Eric’s question caught me off guard. I’ve never considered painting something for Halloween.

One of the reasons I enjoy spending time with the artists at Electric Grizzly Tattoo is that they offer a different perspective. I’ve had several projects, promotions, and ideas borne of conversation at the shop.

While I’ve seen these guys come up with many different tattoo designs in various themes, much of their work involves pop culture. Whether characters from TV, animation, movies, comic books, graphic novels or music, there are clients who get full sleeves done in a pop culture theme.

One of Derek Turcotte’s clients has an entire leg done with characters from horror movies. It’s pretty impressive, both in the artwork’s exceptional quality and the tapestry woven from all of those images.

A couple of years ago, Derek painted Pennywise from the 2017 movie IT, based on the 1986 Stephen King novel. For the most recent movie adaptations, the character is played by Bill Skarsgård.

But I remember another version of It, a 1990 two-part TV miniseries with Tim Curry in the title role.

The basic story is that there’s a creature living beneath Derry, Maine. Every 27 years, in the guise of Pennywise the clown, It murders children after luring them into the sewers and has been doing so for centuries. In the two-part story, a group of children takes on the clown and thinks they have killed It. But they make a vow that they will return to finish the job if it ever comes back.

Sure enough, 27 years later, Pennywise returns, as does The Losers Club, to fulfill their promise.

I’m a big Stephen King fan. I started reading his books when I was a young teenager, probably earlier than I should have. Pet Sematary gave me nightmares. I could give you a long list of favourite King novels, but top of mind are The Dark Tower books, The Stand, The Tommyknockers, Needful Things, Dr. Sleep and, of course, It.

Unfortunately, a lot of King’s books became movies that weren’t very good. It’s usually a pleasant surprise when I enjoy one as much as the book. The writer/director Frank Darabont is also a Stephen King fan, which is why his three adaptations are among my favourite movies.

Many people are surprised that the movie The Shawshank Redemption is based on a Stephen King short story. Darabont made that movie, as well as The Green Mile and The Mist. This scene from The Mist is especially telling in our current climate.

Other screen productions based on King stories that I’ve enjoyed have included Stand By Me, Misery, The Shining, Dr. Sleep and the second season of Castle Rock.

Stephen King made me want to be a writer, and I’ve read and listened to his book ‘On Writing: A Memoir of the Craft’ a few times.

While I have started writing fiction again this year, when I force myself to put ass in chair, it has been a struggle. The editorial cartoon deadlines, the paintings, plus the admin and promotional work that goes along with that work don’t give me a lot of time to write anything other than blog posts and newsletters.

But that’s nobody’s fault but my own. Excuses are easy to come by.

So when it was suggested I paint something for Halloween, my thoughts returned to Pennywise. Not a difficult leap of inspiration, since Derek’s painting of the Skarsgård clown loomed large on the wall about ten feet to my left.

As I own the original IT miniseries on DVD, I began looking for reference that afternoon when I got home. Filmed for television, thirty years old and with special effects almost too painful to watch at times, the reference didn’t meet my usual criteria

There’s a scene at the end of the miniseries where the clown’s true form is revealed, a large spider-like creature. The effects are bad, with jerky puppet-like movements. The colour and light don’t match the background. It was scary in 1990, but now it’s just comical.

All that aside, Tim Curry was still great in the role of Pennywise. I’ve enjoyed his over-the-top villain roles in many movies. From his iconic performance in The Rocky Horror Picture Show to Cardinal Richelieu in 1993’s Three Musketeers, it’s always a pleasant surprise when Curry shows up where I least expect him.

Sadly, he now uses a wheelchair following a stroke in 2012.

Finding the reference was tough. I ended up taking photos of the TV screen and then trying to salvage what I could in Photoshop. None of the reference was what I would call good, and while it’s still got the bones beneath it, the finished painting doesn’t resemble Curry’s character as much as I had initially intended.

Partway through, I realized I wanted to make it as horrific as I could; the fangs, skin texture, demonic expression in the eyes. Eventually, it became my own version of Pennywise, which made it a lot more fun.
I wanted to paint the clown that would have scared the hell out of me when I was a kid. I believe I achieved that. But rather than scare me now, I found myself smiling a lot. I kept wanting to push it a little further, adding more texture and detail, trying for just a little more realism in the brushwork.

I didn’t want it to end.

This is not the kind of work my regular followers expect from me. But before 2009, all people got from me were editorial cartoons and my painted caricatures of celebrities, no animals at all. You never know where new ventures might lead.

No matter how much I enjoy my animal art, it can get a little boring from time to time if it’s just about pumping them out, one after another. Every so often, I need to take a break, try something different and take a vacation from the fur and feathers. The collection of those occasional side projects have now become a gallery of portraits, mostly movie characters. Some of those paintings have resulted in the most unexpected and wonderful moments of my art career.

While I don’t expect to be turning my attention to painting more killer clowns or creatures from the depths of horror movies, this was worth my time. It was a welcome visit to the dark places I usually avoid, shining a flashlight on just one of the things that live there in the shadows.

The best part about this painting was that it wasn’t work. I had no illusions that this would end up being a published print or an image for licensing.

In a year when self-employed job security is shakier than ever, when the future is a towering question mark (with an exclamation beside it), and it seems like every creative moment should be spent trying to increase revenue, I’m glad I made time for Pennywise.

Happy Halloween!

For you digital artists with tech questions, I painted this in Photoshop on a Wacom Cintiq 24HD display. I used screen captures for reference, but no photos are part of this work. I created the textures with brushwork alone, no images or overlays. The finished file is 30″ X40″ at 300ppi, painted in the AdobeRGB(1998) colour space. I have no idea how long it took to paint.

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© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.