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The Panda in the Room

One of the most challenging parts of marketing is playing the game.

We’re emotional creatures, not as evolved as we like to think, prone to gimmicks, triggers, fear of missing out, limited time offers, inflated prices on sale for regular price. We are prey to an overabundance of cognitive biases, fall for the same stuff repeatedly, voluntarily share our personal information to save a few bucks, and forever fail to learn from our past mistakes.

Even though everyone knows that salespeople have a spiel or massage the details to put the best possible spin on things, we still buy into it. Marketing works because it understands all of this. And even when you know these things, we still fall for them.

Everybody who has ever invested in anything knows that the cardinal rule is to buy low and sell high. So why does the stock market have a seizure every time somebody in power sneezes or runs and hides when the wrong person says, “Boo?”

We’re emotional creatures, even though we like to pretend that we’re not.

Every so often, it’s nice to point out that elephant in the room. Not just mention it, but shine a light on it, display those wonderful big ears, beautiful tusks, enormous feet, pretty eyes and most importantly, the fact that it just sat on the buffet lunch.

Yes, I’m painting an elephant soon. Stay tuned.

(Get to the point, Cartoon Boy!)

I’m tired. You’re tired. We’re all a little testy, impatient, worried, uncertain, choose your own less than ideal emotional state.

So I thought I’d try something different for today’s marketing—brutal honesty.

The Calgary Zoo is usually one of my largest print clients. They’ve been supportive of my work for many years and a great customer. Like every other business this year, especially ones where the public gathers in groups, they’re facing extraordinary challenges right now.

I was taking photos at the zoo recently, and they’re taking the safety measures seriously. The animals are still well cared for, and the staff are doing their best under difficult circumstances. I would encourage Albertans to visit the zoo, support wildlife conservation, and a local business that keeps those hardworking people employed.

They also sell my face masks in their gift shop, made in Canada by Pacific Music and Art, so that’s one more place you can get them.

One of the many unforeseen casualties of this pandemic has been the Panda Passage at the Calgary Zoo. The pandas themselves are fine, but they must go back to China and are leaving soon. They were supposed to be in Calgary for a couple more years, but the daily flights that brought their bamboo diet have ceased. The zoo has been doing its best to source the bamboo from other places, like British Columbia, but winter is coming, and the supply has run out.

As nothing goes unconnected these days, here’s a strange way this affected your friendly neighbourhood cartoonist and whimsical wildlife painter.

The Calgary Zoo used to sell a lot of my Panda prints. They sold almost all of them. Popular in their gift shops, I made it a habit to keep plenty on hand so that when they ordered, there was no waiting. At the end of last year, I ordered more than 50 of them. The Zoo did not place their usual large spring order. I need not explain why.

With the closing of the Panda Passage, it’s beginning to look like it will take me a very long time to sell these particular prints, even at a discount. With that in mind, I’m offering that print at a substantial discount.

Regularly $24.95, I’ve reduced the price of the above panda print to $6.95.

Another print I’m offering at the same price is the Sasquatch. This is a weird one. Mike from Pacific Music and Art suggested I paint this image a year ago because many of his retail customers are in British Columbia, Alaska, and the Pacific Northwest. That’s Sasquatch country!

The image does very well on magnets, coffee mugs, art cards, T-shirts from Harlequin Nature Graphics and plenty of other products. It’s one of the best sellers on face masks.
But whether it was at the Calgary Expo or on my online store, it does not do well on prints.  So, I’m going to blow out that stock, too—regular $24.95…now $6.95.

No Promo Codes, no new sign-ups, no hoops through which to pirouette. It’s just the price in the store.

Here’s a bonus to entice you. If you buy THREE or more prints, no matter which ones, I’ll throw in something extra. Could be a calendar, a magnet, face mask, who knows? It’ll be a surprise, but there will definitely be an added gift product in there.

Also, all of my prints are 11″X14″. That’s a common frame size you can buy in many stores that sell them, no need to spend a bundle having them professionally framed.

I’m fortunate that prints and other products aren’t perishable. Someday this will end, and I’ll be ready to supply my customers with the stock I have on hand. But I keep painting new pieces, and if I want to stock new stuff, I must make room for it. When sold, the Panda and Sasquatch prints will be retired, as will several other pieces. It’s the only way to keep releasing new images.

Speaking of which, here’s a Grizzly bear I finished last week, not yet available.
Hopefully, that candor is a refreshing change from the sleight of hand sales gimmicks we often get. I try not to make my blog posts and newsletters all about selling you stuff because I don’t like to receive too much of that either. But I’m a self-employed artist, and it’s the nature of the gig.

Stay well, be safe, and try to be patient with each other. Things are tough all over.

Cheers,
Patrick

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© Patrick LaMontagne
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Peaceful Panda

One of the things I value most in my profession is the relationships I’ve formed over the years.

Discovery Wildlife Park in Innisfail, The Alberta Birds of Prey Foundation in Coaldale, Archipelago Wildlife Cruises in Ucluelet, and of course, The Calgary Zoo. I’ve made friends at all of these places and remain grateful for their generosity in allowing me to get close to so many critters.

Some of my best work wouldn’t have been possible without their assistance in gathering the reference I need to paint my whimsical wildlife paintings. Whenever possible, I’ve tried to ensure these relationships are quid pro quo. I’ve created artwork for them, made donations, or have simply tried to promote the conservation work they do whenever I can.

My prints have been sold in the various gift shops at The Calgary Zoo for more than five years, along with licensed images on other products. During that time, I’ve become friends with the Retail Manager. Kathryn has given me invaluable marketing advice and has always been supportive of my work, helping me put my best foot forward.

In the spring of last year, the Calgary Zoo received four pandas from The Toronto Zoo. The two adults had been there for five years, on generous loan from China, with two cubs born during that time. As per the agreement with China, the remaining five years of the loan, they’ll live in Calgary, although the cubs will be returned to China sometime next year.

While I’m not a professional photographer, I take some decent photos from time to time and she needed some for her own marketing purposes to promote the pandas. The deal was, I could get into the habitat early, in exchange for some of my photos.

The Calgary Zoo is strict about no behind the scenes photography, so I should clarify that I was still only allowed in the public areas, just a couple of days early.
Early one morning at the end of April, Kathryn took me over to the brand new Panda Passage habitat and aside from a couple of keepers, we had the place to ourselves for a couple of hours. Of the four residents, I only saw Da Mao that morning, the adult male. He was active and accommodating, which is a rare treat when it comes to pandas. They spend a lot of their time sleeping.
I ended up with a LOT of nice photos, a couple of dozen I shared with Kathryn, and many others that will serve as good reference for paintings. I’ve already done one painting from that session (above) , and it became a popular acrylic magnet that sold well at the zoo. My previous Panda painting has been a best seller over the past year in their gift shops and I’m hoping this new one does equally well.

While I don’t often share the reference photos I use for paintings, I’m making an exception here to show that my work is more of an interpretation of the reference rather than a copy. This photo wasn’t one of the best quality I took that day and would have been of no use for promotional purposes for the zoo.
It was shot through glass, with a bit of a glare I couldn’t compensate for, not even with a polarizing filter. But with Da Mao climbing up on the log and looking right at me, the pose was a gift I couldn’t pass up. I used other reference for some lost detail, especially in the face.
This is one of the reasons I like to take my own reference. The pose is the same in both photo and painting, but both images are mine, so a photographer can’t say I copied their composition. When I buy stock photos for animals to which I can’t gain access, I try to create an image different than what the photographer took, but when it’s my image in the first place, it hardly matters.
This won’t be the last panda I paint; there might even be another this year. I’m pleased with how this turned out because it’s a full body image but still has that whimsical quality inherent in the rest of my work.

Cheers,
Patrick

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Panda Totem

PandaTotemHere’s one that I’ve wanted to paint for quite some time. There have been times where I’ve had galleries and others asking me to add a Totem to the series for marketing reasons and it hasn’t always worked out the way I’ve wanted it to. On a couple of occasions, the painting ended up feeling forced and I didn’t have much fun with it, because it seemed like I was painting it at the wrong time.

At other times, however, the request coincides nicely with the desire to paint that animal and I’ve been pleased with the result. This is one of those times.

The Toronto Zoo has a couple of pandas on a five year loan from China and they are proving to be very popular. This year, they were successfully bred and two panda cubs are currently being well cared for. Panda cubs are delicate and they won’t be available to the public for some time, although the zoo has been posting some pretty adorable photos.

I approached the Toronto Zoo to add my Totem prints to their retail program this year and they are eager to place a large order in January, which will include animals in my current portfolio and a few I’ve yet to paint. The Panda Totem was one they requested.
PandaCloseupI’m pleased with how this one turned out, especially since it was one of the easier paintings I’ve done. For obvious reasons, I wasn’t able to take my own reference photos on this one, so I relied on stock footage. My friend Scott had some credits that were about to expire and he graciously offered them to me, for this painting and a few others I’ll paint in the future.

With those new photos and some of the others I’d already bought, I used about four different head-shots for this one and three different bodies, each offering me detail and anatomy that wasn’t available in the others.

Some paintings I’ve done have been arduous, where I had great difficulty getting the anatomy right, or the expression, personality, lighting. My Bighorn Sheep Totem is especially memorable for being a real slog. But this painting flowed nicely, was quite fun and didn’t take nearly as long as many of the others. It was nice to have such a smooth painting experience this time.

I’ll be printing this one in January and it will be available in the online store by the end of next month. The Calgary Zoo has already expressed interest in it as well, as the pandas at The Toronto Zoo will be moving there in 2018. Early speculation is that the cubs will be joining them.

This was painted on the Wacom Cintiq 24HD display in Photoshop CC, photos were only used for reference.

Cheers,Patrick

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