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Another Wacom Webinar: Cartooning Techniques!

Since the last one was so well received, the good folks at Wacom have invited me back for another webinar on November 22nd.  While the previous one touched on both cartooning and painting, turns out that some folks felt there was not enough on each, so this one will focus on some more techniques and methods I use in my everyday editorial and illustration cartooning.  A number of these techniques are included on my DVD from PhotoshopCAFE, but I’ve also added a few other things to this webinar that aren’t on the DVD.

I really enjoyed the last one and heard from a lot of people that did as well, so I’m looking forward to another opportunity to share a little of what I know about cartooning in Photoshop.  Hope you can join me in November.

Click HERE to register for the upcoming webinar (or on the image.)  If you’d like to take a look at the last one, here’s the link to Wacom’s YouTube channel.

 

 

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Bighorn Sheep Totem

Another painting done!  I’ve been working on this one for many months, off and on.  When I was doing painting demos at the galleries in Banff and Canmore at the beginning of this year, this is one of the paintings I was working on.  For some reason, I kept putting it aside in favour of other projects or paintings.  With the Fall season upon us, and my commitment to paint a lot more in the next few months, I figured it was a great time to finish it, and once I got going, I couldn’t put it away.

My father is not a professional photographer, but he and my Mom had been camping in British Columbia last Fall, and he took some great photos for me of a bighorn ram.  I had a number of them to work from and they really worked well.  Thanks, Dad!

This was easily one of my most challenging paintings.  Because of the publicity for my Totem paintings over the past year, and my recent painting DVD, I’ve been feeling the need to stretch my skills and try to put even more detail into these.  I tried some new brush techniques for this one, and even created an entirely new brush for the detail on the horns, something I haven’t done in awhile.  I couldn’t even guess how many hours I put into this, but it’s a lot, probably double what I’ve spent on any painting before this.  As always, I could have kept going, but you just have to call it at some point.  Finishing this up on a Friday morning just felt right.

I’ve got five paintings planned for the next few months, and have already sourced and acquired the usage permissions for the reference photos.  Two of those paintings will kick off completely new series, so I’m pretty excited about that.  I still get a big thrill out of finishing one of these, and I’m ready to start another one.  I’ve got some commission work to get to in the next week, so I’ll use that time as a buffer between this and the next painting.

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Painting, Projects, and Promotion

As I’m not a fan of the holiday season, I’ll tend to keep to myself over the next couple of months.  With that in mind, I plan to keep busy with paintings and other projects and I’ve made sure that I’ve got plenty on the go, including a number of paintings.

One project I’ve planned is creating a short promotional video of my painted work.  Not sure how I’ll use it, but I still think it’ll be a fun challenge.  Basically, it’ll be a video commercial for one of my animal paintings, which translates to all of my paintings.

I recently acquired the license for four reference images for wildlife paintings and while I’m looking forward to working on all of them, there is one in particular that has me excited.  The image is very clear in my mind, and the photo I have to work from is incredible in its detail.  With that in mind, I’m going to create a 2.5 minute video of the whole painting process, from start to finish.  Most of the painting will be sped up quite a bit, but there will be sections from the entire process included in the video, sketches to finished work.

This video you see here is a test, using the bighorn sheep painting that I’m currently working on.  You have to look closely to see some of the brushwork that I’m doing in the video, something I’ll do better in the future piece.  This is about 20 minutes of painting, sped up to be around 2 minutes in the video.  I bought the royalty-free piece of music yesterday, and while the license cost more than three CDs, you have to pay for quality and it’s not like I’ll be doing this on a regular basis.

I’m a big fan of movie-making and movies in general, and there’s a lot added by an appropriate piece of music.  This one is fine for the bighorn sheep painting, but it’s a perfect fit for the actual painting and animal I’m planning to use it for.  In this video, you don’t get to see the whole painting, and that’s intentional, because it’ll be done this week and I don’t want to show it too early.  The real detail has yet to be painted.

This was a learning process, but not as difficult as I thought it would be.  Some of the things I’ve got planned for the next one will be complicated with the software I have, but figuring that out will be part of the fun.

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The genius next door

Steve Jobs truly was a diamond in the rough.  You need only look at his extensive list of accomplishments, his patents and his rise from an average existence to his becoming the man whose life so many are reflecting on today.

Despite his faults, (no, he was not perfect) his legacy will be that of a genius and a tenacious innovator who not only took the path less travelled, but made a new one when even that proved too worn for his liking.

I’ll admit to being a little uncomfortable with some of the tributes I’ve seen today, and the almost deification of the man by so many people that didn’t know him, and yet are speaking of him as if they have lost a close family member.  I was even uncomfortable creating my own cartoon about it today, because even though I knew my newspapers would want one, I don’t like memorial tribute style editorial cartoons.  Often overly dramatic, they do seem to be widely published, however, which is why I keep doing them.

Our society has become addicted to celebrity worship and mass emotional displays on social media.  People have been talking about how Steve Jobs changed their lives, how Mac computers changed the world, how without him, they wouldn’t be who they are today.  Yes, it’s true that your life would be different had Steve Jobs not created Apple.   But if the invention of a newer, better computer hadn’t come to pass, would you somehow be less than you are today?

Now forgive this tangent, but I assure you it is relevant…

Earlier this week, I read the story of 70 year old Daniel Schechtman, a researcher at Technion-Israel Institute of Technology in Haifa.  Schechtman is this year’s Nobel Prize winner in the field of chemistry for his work in discovering quasicrystals.  Now, I won’t pretend for a second that I have any knowledge about his work.  I barely passed high school chemistry.

But reading about his story, I found it fascinating that Schechtman was openly ridiculed, actually vilified for his discovery when he first suggested it in 1982.  His colleagues in the science community called him a disgrace, laughed at him, and booted him out of a prestigious research group for “bringing disgrace on the team.”

It took years before his work was recognized and you don’t find much better vindication than the Nobel Prize.  But, I wonder how many of his colleagues that dismissed him as a lunatic are now telling their friends how they believed in him all along.

So, it’s not the products Steve Jobs created that I find myself thinking about today, but the person he was almost 40 years ago.

I wonder what the reaction would have been in the beginning, if a young dropout Steve Jobs had told somebody at the local Hare Krishna temple where he went for free meals, that he would one day design computers that would change the way the world works and communicates.  Somehow I don’t envision a long line of eager investors.

Makes me wonder what the neighbors and colleagues thought of the bicycle repairmen, Orville and Wilbur Wright or the apprentice printer, Ben Franklin, or a young patent clerk named Albert Einstein who had a hard time getting noticed by his boss.

Steve Jobs changed the world.  Of that, there is no doubt.  He deserves our respect and admiration for his vision and accomplisments.  But it is easy to support someone after they have achieved monumental success, because it’s a pretty comfortable bandwagon.

And no, buying a Mac in the 80’s doesn’t count.

I’d like to meet the two or three people that believed in him early on, because those people change the world, too.  They do so by encouraging the dreamers, the idealists, the ‘different thinkers,’ when everyone else dismisses them as lunatics.

What if your own neighbor, or better yet, your neighbor’s kid, told you he or she was working on an interstellar propulsion drive that would be cost effective, have no pollution, could achieve light speed travel and would run on a microscopic amount of sea water, and it’ll be ready in 20 years.    I guarantee that there are thousands of people in the world right now working on ideas and innovations that sound just that surrealistic, and you might even know one or two of them.    Would you even consider investing your savings in that idea?  Probably not, but we’d all like to go back in time and give a few thousand bucks to a couple of computer nerds toiling away in their garage, wouldn’t we?

Yes, many of those people are probably nuts, but I would wager that more than a few of them are on the cusp of greatness.

It might even be you, and if it is, I wish you luck.  Don’t give up, and don’t listen to the ridicule.  Hopefully your eventual success might inspire people to believe in their own possibilities, because we all have greatness within us.  And if you can’t find anybody to believe in you, don’t stop believing in yourself.  Because that’s what it takes to be somebody like Steve Jobs, believing in your own potential even when nobody else does.

Success is all around us, and it starts with that simple belief.  That’s the message we should take away from his passing.  And in the time between the world paying tribute to your achievements when you die, there will be years of working hard when everybody else is taking time off.  Yes, we did indeed lose a visionary in our time this week, but there are millions more all around us, maybe even a few that 20 or 30 years from now, we’ll pause a moment to pay tribute to when they pass.  It might even be you.

But of course, you won’t be around to see it.  So don’t do it for any applause or recognition.  Do it for the reason in the cartoon.

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Ostrich – iPad Painting

Here’s another painting I did on the iPad over a period of three or four days.  This is the kind of thing I like to do while sitting watching TV, as it’s not on deadline and is just fun to work on.

This was painted using the Procreate app, the Wacom Bamboo Stylus and the Nomad mini brush, which arrived last week.  While I’m very happy with the Wacom, I’ve been seeing ads and reviews for the Nomad brush around the net and I thought I’d give it a try.  Because I like having everything portable, I bought the mini brush instead of the longer ones and I really enjoyed working with it.  It doesn’t really do anything I can’t do with the Wacom stylus, but when it came to working on the little hairs and some subtle shading, it was more enjoyable to work with as it glides over the screen a lot easier than a traditional stylus.

I wouldn’t want to be limited to only the Nomad brush, however.  While it’s great for painting, I don’t like it for drawing, but then, it’s not really designed for that anyway.  After finishing this painting using the Wacom and the Nomad, I’m going to continue to use them both.  They each have their strengths and I enjoyed using them both on this painting.  The only downside of the brush is that you want to be careful not to squash or wreck the bristles by leaving it lying around.  I was thinking that a little cap would have been a good thing to include with this brush/stylus.  But then again, I’d probably lose the cap, so it’s probably fine the way it is.

When I’m using the iPad, I have the brightness set to 50 percent.  Because I spend so much time in front of the computer, the brightness of my desktop monitor is set pretty low as well.  I plan to preserve my eyesight as long as possible, so I try to minimize my exposure to bright light.  The downside of working on the iPad is that it means making adjustments for that before posting.  There are a few apps out there that will make color and brightness adjustments but I’m still getting used to how far I have to push things to get them to look right online.  It’s an ongoing process, but I’m learning.

This close-up is actual pixels, 72 ppi, so you can see that this is one of the limitations of working on the iPad.  I have the first generation iPad, and I know the 2nd generation has better resolution, so you’ll be able to get a little more detail, but not a lot more.

So, in the interest of full disclosure, I did bring this into Photoshop for some color adjustment.  Every monitor is going to be different, but mine is calibrated and the color I saw on the iPad is not what it looked like when I emailed it to myself in order to post it.  So while all of the brush work was done on the iPad, I did do a Hue/Saturation and Levels adjustment on my desktop.  I also used a bit of Smart Sharpen.  Here, you can see the difference side by side.  While the one on the left is what I got from the iPad in my inbox, the one of the right (after adjustments) more closely resembles what I was seeing on the iPad when I was working on it.

The iPad will not replace my Wacom tablet and Photoshop anytime soon, so you might wonder why I bother.  It really is just for the fun and the challenge of it.  I’m enjoying seeing just how far I can take a painting before I can’t go any further.  This is equivalent to painting in low-res in Photoshop and that translates directly to my more detailed paintings because they all start in low-res.  Working on the iPad with limited tools and resolution does end up making my more detailed work better because it forces me to do my best on the foundation of the painting before working on the fine details.

While I intended this to end at being an iPad painting, I’m toying with the idea of bringing it into Photoshop, bumping up the resolution and making a full size, full resolution painting out of it, because I know I can take it further.  It’ll mean working a number of more hours on it, but I think the end result might be something I’ll be proud of.

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A dog and his painting.

Regular readers will know the story by now, but long story short, my friend Pat Wendt in Lincoln, Nebraska has this wonderful little dog named Don Diego.  When it came time to record my animal painting DVD for PhotoshopCAFE, I thought he’d be the perfect subject.  Since Pat is a talented photographer, I knew I’d get a great reference photo to work from, and I certainly did.  In exchange for the use of her photo (and her dog), I gave her some prints, copies of both of my DVD’s, my undying gratitude and the framed stretched canvas painting that you see here.

When it comes to digital painting, the finished piece ends up being a digital file, so when it comes to ‘the original’, it’s whatever the artist certifies as such.  As I included a certificate of authenticity with the painting, Pat now owns the original of this work.  It’s hanging in the bookstore, Bluestem Books, that she and her husband Scott own in Lincoln.  I asked Pat to take this photo for me so that I could see the painting with the subject.

Now there’s a dog with charisma!

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K&M Adventures – Caricature Commission

Last month, I was commissioned by Moose Peterson to create a caricature of him and his business partner, Kevin Dobler to promote their travelling workshop, K&M Adventures.  Spent most of this past weekend working on it and finished it late Monday afternoon.

As I am not a photographer, I was unfamiliar with Kevin’s work, but really enjoyed looking through the photos on his website.   I am no stranger to the work of Moose Peterson, however, as I’ve been a fan for quite awhile.  His wildlife, landscape and aviation photography is not only incredible, but very inspiring.  Moose’s photos move me, because the light and shadow he manages to capture in his work is often ethereal.  He makes me want to be a better artist.

So, when Moose asked a friend of his who he would recommend for this sort of work, he was referred to me (thanks again, RC) and I can admit that I was honored and pleased.  An artist I admire referred to me to another artist I admire.  When it comes to my work, that’s the type of validating moment I try to hang on to as long as possible.

The timing was perfect, because Photoshop World fell in the middle of this, so I got to show Moose some sketches in person, and got his thoughts on where I was going with it.  I was also able to bounce some ideas off of him and get a feel for what he wanted for the final image.  While the reference photos he supplied were great (love working with professional photographers), I’m glad I was able to take a recent shot of him in person, as he has cut his hair quite a bit and the change was significant.  That was a rare opportunity not often available with long-distance commissions.

Moose was happy with the finished image, which is very important to me.  Nothing worse than when you can tell that you and a client had different visions, and the final product isn’t what they were after.  Communication is very important on commission pieces.  I’ll often get a sense that I might be annoying the client a little bit if I ask a lot of questions, but in the end, it’s worth it when the image hits the target.

This was a fun piece to work on and I’d like to get more work like it in the future.  Now, if I could just get professional photos for every commission from now on, I’ll be laughing.

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Titus

This painting was finished in mid-August, but I couldn’t post it until today.  The client had it done to give to her sister for her birthday this past weekend.  I had a lot of time to work on this, as it was ordered early in the year, so it was a long deadline, which is a rare but welcome thing.  It was printed and stretched on canvas at a size of 12″X16″.

Titus is an interesting story.  He passed away last year at the very ripe old age of 24, which is VERY senior for a cat.  Apparently he lived a great life, was a home and shop cat for their printing company and very lovable.  Having lost one of our own cats earlier this year, I’m recently acquainted with the pain of that loss, and was actually going through it while working on this one.  This gift was a very special one and I worked long hours on it.  The client was very happy with the final result and told me that her sister was as well, so that makes me happy.

Some challenges on this one.  While I had a LOT of reference photos to choose from, they were all low-res in an online photo album.  Basically no detail shots to work with at all.  The client couldn’t very well ask her sister for better photos without giving away that a gift of some sort might be in the works.  So I just had to work with what I had.  On my DVD for painting, I talk about different tricks to make less-than-great photos usable for reference and I had to use them all.  I found myself looking at my own cat for some of the more detailed fur and features, even though her colouring is completely different.  It worked, though.

I gave her the option of my usual caricature style or the more portrait style that I did of Don Diego for my DVD.  I was a bit relieved that she chose the former, because even though Titus still doesn’t look really happy in this painting, it’s a lot better than any of the photos depicted.  Dogs seems to smile naturally, just because of the shape of their mouth and muzzle.  Cats, not so much.  They just don’t often look pleased, but that’s part of their attitude that cat people love so much.  Good thing they purr and can make their eyes seem three times bigger when they want something.

Titus apparently liked to sit in the ‘paper cage’, a really large recycling bin for a mix of scrap and shredded paper and the client thought he should be in that setting.  I thought it was a great idea, because it made it even more of a personal image.  Painting the paper was tough, because I still wanted detail so that it didn’t look muddy, but not so much that it took away from the cat, because he is obviously the most important part of the painting.  This is the reason I left out any text on the paper.

I enjoy painting commissions.  Unfortunately, because of the work involved, not everybody can afford to give such a gift.  I’m very aware of this when I create a painting, and try to put my best effort into each one of them.  This was no exception and I consider it one of my best pieces.

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Golden Mantle Ground Squirrel – iPad Painting

This grumpy little fellow is a Golden Mantle Ground Squirrel.  They’re found in a number of places around here in the Bow Valley, and it’s usually pretty easy to get photos of them.

I painted this on the iPad using the Procreate app and the Wacom Bamboo stylus.

Even though I really like working on the iPad and using both the app and the stylus, I’m not able to go further than what you see here when it comes to real detail.  But I’m having fun experimenting with it, and if I wanted to take it further in Photoshop, this would serve as a decent foundation.

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Milestones

The past two months have been ones of reflection for me because it turns out that this is the 10th anniversary of two big events in my life.  First, my wife and I moved to Canmore from Banff in August of 2001 and we bought our first home.  And second, on September 20, 2001, The Rocky Mountain Outlook newspaper was born.  Were it not for that publication and Carol Picard, the editor and part owner, I wonder what I’d be doing today.

In 1997, I answered an ad in the Banff Crag and Canyon for an editorial cartoonist.  Figured it would be a fun weekly diversion, and for a few years, it was.  In 2001, I found out that a new upstart paper called The Rocky Mountain Outlook was in the works.  Cathy Ellis, a Crag and Canyon reporter told me quietly that she had been asked to join them and suggested they’d probably need a cartoonist.  Turns out that at that exact moment, I was having a heated disagreement with the publisher of ‘The Crag,’ so I was eager to jump ship.  After getting the gig at the Outlook, Carol asked me why I wasn’t syndicated.  Thinking I knew more than she did (which I did NOT), I said that it was pretty difficult to get signed on with a syndicate.  She waved that off and told me to do it myself, and then told me how.  The following month, I was a self-syndicated editorial cartoonist, even though I didn’t have any other newspapers yet.

Carol’s gotten a little tired of how often I’ve said ‘Thank You’ to her over the past decade.

The Outlook has been very good to me, and I’m proud to say that one of my cartoons has been in every issue since September 20, 2001.    The Outlook was started by Carol Picard, Bob Schott, and Larry Marshall and their blood, sweat and tears permeate the foundations.  Sadly, Bob and Larry passed away within months of each other in 2008, a devastating blow to everyone at the Outlook, and especially to Carol as they were all very close.  She retired from the Outlook in 2008.  Despite their absence, it is still very much the same paper, with the same staff, largely because Carol insisted upon it as a condition of the initial sale to Black Press.  It is now owned by Great West Publishing but still feels very much like the independent it once was.

The Outlook’s 10th Anniversary issue was published yesterday, along with a full colour magazine insert that reflected on the early life of this ‘little paper that could.’   The Outlook has eclipsed her competitors, who said it would fail in the first six months, and it is now the newspaper of record in the Bow Valley, while The Banff Crag and Canyon and The Canmore Leader struggle for relevance.  For you locals, read Carol’s article, “From Humble Beginnings…” in the magazine insert and you’ll realize just how much they went through to create the paper the entire valley reads every Thursday.

The magazine turned out really well.  When they were planning it, I was asked to do a large cartoon two page spread for the centerpiece, a timeline of major events over the last year.  While it looks like the whole thing is my creation, it was very much a collaborative effort.  From a number of people choosing which events to chronicle to the Outlook design team who put it all together, and most importantly to Natalie Talbot who took my cartoon scenery painting and collection of little cartoons I drew for the events, and turned it into the finished work you see here.  She did a fantastic job and in my opinion, her signature should be on it as well.

A few of the staff bugged me last night because I didn’t want to have a chronicling of my cartoons from the early days included in the magazine.  I can admit that my reasoning was purely motivated by ego.  I don’t like looking at my earlier work because I didn’t draw very well.  In retrospect, I probably should have allowed it, because showing the work I did then beside the work I do now only proves what I always say to students and fledgling artists.  If you practice and put the time in, you can’t help but get better.  Talent will only take you so far.  You only improve through hard work.

So here is the first cartoon I ever did for the Rocky Mountain Outlook on September 20, 2001, beside the one I did for the 10th anniversary issue this week, September 22, 2011.

There was a great party last night at The Cellar Door in Canmore, which then spilled over to the Iron Goat, attended by supporters, advertisers, as well as current and former staff.  A lot of laughs as we talked our way through the years.

The last ten years have been some of the best of my life, and I’m grateful for all of the opportunities that have been presented to me.  The person I was then would be pleased with where I am today, and through all of it, there was a weekly cartoon for the Outlook.

So Happy 10th Anniversary to the Rocky Mountain Outlook and I’m proud to have been a small part of her beginnings.  And because it can’t be said enough…Thanks, Carol.