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The downside of 2011.

I decided to break up my ‘year end’ blog entry into three separate posts.  This is the first one, and the one I didn’t want to write.

Part of the job of a freelancer is to promote yourself like crazy.  Websites, blogs, social media sites, forums, it’s practically a part-time job just getting all of your work out there so it can be seen.  One of the other things you’re supposed to do is put on an optimistic, confident and successful face so that people will think you’ve got everything together.  You have to be your own PR guy, trying to make sure people see all of your latest work, without coming across as a narcissist, something I have no idea if I’m doing well or not.

You’re not supposed to talk about the bad things because you don’t want a reputation as a complainer.  Unfortunately, it can also make people think that nothing ever goes wrong.  I may get to do what I love for a living, but it’s far from perfect.  I’m an artist, so naturally that means I’m neurotic and more than a little obsessive-compulsive.  Working alone at home all the time, you live inside your head a lot, and that’s not always a nice place to be when things aren’t going right.

Social media is a necessary evil, but there are days I’d rather not deal with it.  I’ve come close to deleting my Facebook account more than once this year because being self-employed, you have to be on it a lot, even when you don’t want to be.

Being an editorial and political cartoonist, some days it feels like you wake up in the morning, have a shower, and then wade into mud and shit.  There are many days I hate drawing cartoons about politics and politicians, because you see the same patterns of waste and corruption being repeated year after year, regardless of which party is in power.  But it’s a job, like any other.  You do it, because that’s what pays the mortgage.

Looking back on the blog entry earlier this year that talked about my big plans for 2011 made me laugh out loud.  Apparently, I was determined to learn to sculpt, to get familiar with Adobe Illustrator (again) and to learn a lot more 3D in Photoshop.  I have all of the materials, software, books and resources to work on all three of those, and yet, I never made them a priority.  Put those in the FAIL column.

In that same entry, however, I vowed to paint every chance I got, to work less and play more, and to be less cynical, each of which is still a work in progress.  My wife and I did manage to go on a small vacation to Vancouver Island in June and it was wonderful, one of our best to date, so I count that as a victory on the ‘play more’ side of things, but I didn’t camp at all this year, and that’s something I regret.  Camping is something I love to do, and I didn’t make time for it even once, nobody’s fault but my own.  I didn’t really work less, in fact, I worked very hard all year, but I did manage to say ‘No’ more often when it came to work I didn’t want to do.

As for being less cynical, let’s just say I’m making progress.  I’ve seen some of the best sides of people this year, and I want to focus more on that, but I’m still too judgmental for my own good about people’s seemingly endless need to keep digging deeper holes for themselves while blaming it on somebody else, hence the reason I’m such a Scrooge this time of year.  I’m not a violent person by any means, but I do have my angry and depressed periods on a regular basis, and I take many things way too personally.  But I’m able to let it go a lot easier these days, and I’ll attribute that to getting older and not wanting to waste my time on things I can’t change.  Nobody’s perfect, especially me, and life’s too short.  So I’m still going to work on being less cynical, but I’m going to try to refrain from beating myself up about it.

One of the absolute worst days of my year was the deadline for finishing my first DVD from PhotoshopCAFE.  I had been dealing with almost constant back pain in early Spring for about 2 months, despite regular yoga, stretching, exercise and massage.  Sitting for longer than 20 minutes was excruciating.  Recording the DVD was an incredibly stressful exercise, and it seemed that everything I did while editing it went wrong.  Knowing I was about to turn 40 had sunk me into a deep depression, as my midlife crisis was peaking.  Worst of all, our cat Maya was in failing health and nothing could be done to help her.  So on the night of March 18th, I was up the entire night without any sleep at all in my office, editing the DVD for the next day’s deadline, watching our very sick and disoriented cat in the office with me,  knowing we were putting her to sleep the next day, and my back in excruciating pain.  I alternated between editing a section, getting up to stretch, trying to comfort Maya, and wiping away a lot of tears.  This went on the entire night, and even though I finished the DVD very early the next morning, I really didn’t give a damn, because that afternoon, we had to go put our cat down.  Needless to say, I didn’t celebrate my 40th birthday a week later.

And still, I consider 2011 a great year.  Stuff happens in everybody’s life, and given what some friends have dealt with this year, mine was relatively easy.  Incidentally, I’ve discovered that my recurring back pain was entirely stress related and I thankfully have had very few recurrences.

Freelancing is a tough gig, no doubt about it, and some people can’t handle it, because if you’re not always working, you’re thinking about work, even when you’re on vacation.  Balance is an illusion, at least as far as I’m concerned.  I know enough people in this ‘job’, that it’s a pretty universal trait.  But everybody has it tough, no matter what they do for a living.

So if you follow artists like me, you’ll read a lot of inspiring messages that tell you that you can do whatever you want if you work hard enough, and I firmly believe that’s true, but never believe it’ll be easy.  This is the hardest job I’ve ever had.  You rarely get time off, 12-14 hour days are the norm, you don’t get vacation pay, stat holidays or benefits, and your income is directly related to how hard you work and scramble.  So as much as it’s mostly good, sometimes even great, there’s a lot of crap, too, and you just have to live and work through it, and keep moving forward.  And still, I wouldn’t want to do anything else than what I’m doing now, even knowing I’ll probably have to live through bad and worse days ahead, too.

So there’s a little dose of reality.  As much as I’ll post that everything is great, and often it is, there’s a lot I don’t talk about, because at the end of the day, this is a business, and that would just be bad PR.

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Finishing Touches

This is a video I recorded while painting the portrait of Harry Morgan.  All of the brushwork has been sped up, and much of it is very subtle, but it gives you an idea of the detail involved with a painting like this.  I felt this video would be better with music, so I bought the license rights to this piece, appropriately entitled, ‘Fond Memories’ by Heather Fenoughty.

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Another Wacom Webinar: Cartooning Techniques!

Since the last one was so well received, the good folks at Wacom have invited me back for another webinar on November 22nd.  While the previous one touched on both cartooning and painting, turns out that some folks felt there was not enough on each, so this one will focus on some more techniques and methods I use in my everyday editorial and illustration cartooning.  A number of these techniques are included on my DVD from PhotoshopCAFE, but I’ve also added a few other things to this webinar that aren’t on the DVD.

I really enjoyed the last one and heard from a lot of people that did as well, so I’m looking forward to another opportunity to share a little of what I know about cartooning in Photoshop.  Hope you can join me in November.

Click HERE to register for the upcoming webinar (or on the image.)  If you’d like to take a look at the last one, here’s the link to Wacom’s YouTube channel.

 

 

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Bighorn Sheep Totem

Another painting done!  I’ve been working on this one for many months, off and on.  When I was doing painting demos at the galleries in Banff and Canmore at the beginning of this year, this is one of the paintings I was working on.  For some reason, I kept putting it aside in favour of other projects or paintings.  With the Fall season upon us, and my commitment to paint a lot more in the next few months, I figured it was a great time to finish it, and once I got going, I couldn’t put it away.

My father is not a professional photographer, but he and my Mom had been camping in British Columbia last Fall, and he took some great photos for me of a bighorn ram.  I had a number of them to work from and they really worked well.  Thanks, Dad!

This was easily one of my most challenging paintings.  Because of the publicity for my Totem paintings over the past year, and my recent painting DVD, I’ve been feeling the need to stretch my skills and try to put even more detail into these.  I tried some new brush techniques for this one, and even created an entirely new brush for the detail on the horns, something I haven’t done in awhile.  I couldn’t even guess how many hours I put into this, but it’s a lot, probably double what I’ve spent on any painting before this.  As always, I could have kept going, but you just have to call it at some point.  Finishing this up on a Friday morning just felt right.

I’ve got five paintings planned for the next few months, and have already sourced and acquired the usage permissions for the reference photos.  Two of those paintings will kick off completely new series, so I’m pretty excited about that.  I still get a big thrill out of finishing one of these, and I’m ready to start another one.  I’ve got some commission work to get to in the next week, so I’ll use that time as a buffer between this and the next painting.

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Painting, Projects, and Promotion

As I’m not a fan of the holiday season, I’ll tend to keep to myself over the next couple of months.  With that in mind, I plan to keep busy with paintings and other projects and I’ve made sure that I’ve got plenty on the go, including a number of paintings.

One project I’ve planned is creating a short promotional video of my painted work.  Not sure how I’ll use it, but I still think it’ll be a fun challenge.  Basically, it’ll be a video commercial for one of my animal paintings, which translates to all of my paintings.

I recently acquired the license for four reference images for wildlife paintings and while I’m looking forward to working on all of them, there is one in particular that has me excited.  The image is very clear in my mind, and the photo I have to work from is incredible in its detail.  With that in mind, I’m going to create a 2.5 minute video of the whole painting process, from start to finish.  Most of the painting will be sped up quite a bit, but there will be sections from the entire process included in the video, sketches to finished work.

This video you see here is a test, using the bighorn sheep painting that I’m currently working on.  You have to look closely to see some of the brushwork that I’m doing in the video, something I’ll do better in the future piece.  This is about 20 minutes of painting, sped up to be around 2 minutes in the video.  I bought the royalty-free piece of music yesterday, and while the license cost more than three CDs, you have to pay for quality and it’s not like I’ll be doing this on a regular basis.

I’m a big fan of movie-making and movies in general, and there’s a lot added by an appropriate piece of music.  This one is fine for the bighorn sheep painting, but it’s a perfect fit for the actual painting and animal I’m planning to use it for.  In this video, you don’t get to see the whole painting, and that’s intentional, because it’ll be done this week and I don’t want to show it too early.  The real detail has yet to be painted.

This was a learning process, but not as difficult as I thought it would be.  Some of the things I’ve got planned for the next one will be complicated with the software I have, but figuring that out will be part of the fun.

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DVD sneak peek

Having recently returned from Photoshop World, it was a big thrill to see my painting DVD’s on sale at the PhotoshopCAFE booth on the Expo Floor.  I had brought a print for them to display at the booth and apparently it contributed to good sales over the three days.

Brought home my copies of the DVD, minus one that I gave to a friend and another that I gave to Bert Monroy, as I’ve learned a lot about illustration and digital painting from him over the years.  He’s a great guy and was most noticeable this year because he was booting around in a little scooter after recent knee surgery.

The PhotoshopCAFE booth was showing a DVD that included clips from a number of their titles.  Here’s the clip they were showing from my most recent DVD, PhotoshopCAFE Masterclass: Animal Painting in Adobe Photoshop.  For more information on the DVD, visit the PhotoshopCAFE site here.

 

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Painting DVD is now available!

It is my pleasure to announce that my latest DVD, “PhotoshopCAFE Masterclass | Animal Painting in Adobe Photoshop” is now available for purchase.  Painting is what I love to do most, so I’m very proud of this release.  The image that was created during this DVD is one of my favorite pieces and some of my best work to date.  It’s a real thrill for me that the whole thing is recorded from start to finish.  Here’s the text from the back cover…

In these highly informative sessions, Patrick will teach you how to paint a photorealistic animal from scratch. You will learn the entire process, from working with reference photos, setting up the digital canvas, blocking in shapes, adding detail and finishing the painting. Watch how an experienced painter approaches a piece and learn the tips and tools used. Pick up many closely guarded secrets that would otherwise take years to figure out on your own.

This video follows the entire painting from a blank canvas, all the way through to the completed masterpiece. Patrick clearly explains exactly what he is doing and why. Watch an original piece of art unfold before your eyes and learn the techniques so you can apply them to any painting that you desire to create yourself. This training is in-depth enough for a budding painter to start learning, or for a more experienced enthusiast to learn some new tricks from a master painter.

This fast loading DVD ROM contains 3 hours, 17 minutes of high quality video instruction! The advanced interface allows the user to instantly jump to any of the lessons with complete control over the playback.

If you have been looking for some excellent instruction from a real artist, look no further. Watch the entire workflow and become equipped to create your own paintings.

The DVD will be available at the PhotoshopCAFE booth on the Expo Floor at Photoshop World next week in Las Vegas.  If you happen to be attending, I will also be giving away one or two signed prints of the Don Diego image I created in this DVD, as well as some other prints throughout the week.

The giveaways will be announced each day on Twitter, so follow me @CartoonInk and if you’re in Vegas, you just might win a print!

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Catching my breath.

Looking back on my career so far, it would seem that I spend most of my time living through periods of deadline panic with large projects, followed by periods of lesser panic where I figure that NOW I can finally gain some control over my life and relax.  This delusion is then followed by the next period of deadline panic with a large project.  I’m a slow learner.

Last week, I finished another DVD for PhotoshopCAFE, which definitely falls under the ‘deadline panic with large project’ category.  While I know that it will be ready for Photoshop World in Las Vegas the first week of September, I would imagine it will be available sooner than that online.  This was a big one for me.  While my first DVD effort was on cartooning, I’m pretty comfortable with that process, so even though the actual recording was hell (why mince words?),  the subject matter was fairly routine, as I’ve been drawing cartoons in that fashion every day for a number of years.

This second DVD, the recording and painting were both challenging, but still very enjoyable.  The editing, however, was just challenging.  I enjoy painting more than any of the other creative work I do, so I wanted the painting in the DVD to be my best effort.  While I’m pleased to say that I think I achieved that, I’m relieved that it’s done.  I ended up taking an involuntary day off once all the files had been sent, because I was completely exhausted.

Finished a commission of a cat painting this week.  There’s a great back story to this one, but I can’t share it, or the full painting, until after the client gives it as a gift.  Keeping secrets is often part of the job.  But I’m happy with how it turned out.   Recording the painting DVD created a little pressure (self-induced, of course) to up my game, and I’m looking forward to my next wildlife painting.  I’ve been thinking about this one  for almost a year and I’m excited to get started on it.

This week, I intend to finish a painting of my parent’s dog, Bailey, a wonderful little shih tzu with a great personality.  Been wanting to paint her for awhile and pleased I finally get to give this gift to my Mom.

I’ve got one more large illustration gig to wrap up in August, but other than that, I’m almost caught up.  I still have my regular editorial cartoons to draw, and five or six extras to get done in advance for my week away at Photoshop World Las Vegas at the beginning of September.  But, all in all, I think I’m finally going to be able to find a few days of downtime soon, gain some control over my life and relax.

Did I mention that I’m a slow learner?

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Art Cards with Island Art Publishers

As of yesterday, I have entered into a licensing agreement for my Totem paintings with Island Art Publishers for art cards!

Island Art was my first choice as I’m a fan of a number of their artists and I’m pleased that they’ll be representing my work.  Island Art primarily supplies a large number of retailers and museums throughout Western Canada, and also distributes through Eastern Canada, Washington, Oregon and Alaska.

I believe this region is the best possible market for my current Totem series, as it features animals found in the Rocky Mountains and Western Canada.  When I begin my West Coast wildlife series in the Fall, I’m confident that the images will find their way into the right stores and museums along the coast, thanks to this arrangement.

The first images to be put into production will be the mammals in my Totem series; the Wolf, Grizzly, Moose, Elk and Ground Squirrel.  I’ve seen the layout proofs and they look great!  The cards go into production next week and should be available to retailers a week or two after that.

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Photoshop Creative Magazine


The latest issue of Photoshop Creative magazine goes on sale today and if you turn to Page 9, you’ll see a little image of my Ground Squirrel Totem painting at the top of the page. “3 of the Best…” is a regular feature in this magazine.  Last month it was landscape painters, this month it’s animal portrait painters, and I’m very honored that they selected my work to be included in the list.

Anyone who visits regularly knows how much I love painting these Totems.  It’s strange that painting animals was never part of the plan, but then again, neither was being a cartoonist.  Funny how life turns out.