This grumpy little fellow is a Golden Mantle Ground Squirrel. They’re found in a number of places around here in the Bow Valley, and it’s usually pretty easy to get photos of them.
Even though I really like working on the iPad and using both the app and the stylus, I’m not able to go further than what you see here when it comes to real detail. But I’m having fun experimenting with it, and if I wanted to take it further in Photoshop, this would serve as a decent foundation.
The past two months have been ones of reflection for me because it turns out that this is the 10th anniversary of two big events in my life. First, my wife and I moved to Canmore from Banff in August of 2001 and we bought our first home. And second, on September 20, 2001, The Rocky Mountain Outlook newspaper was born. Were it not for that publication and Carol Picard, the editor and part owner, I wonder what I’d be doing today.
In 1997, I answered an ad in the Banff Crag and Canyon for an editorial cartoonist. Figured it would be a fun weekly diversion, and for a few years, it was. In 2001, I found out that a new upstart paper called The Rocky Mountain Outlook was in the works. Cathy Ellis, a Crag and Canyon reporter told me quietly that she had been asked to join them and suggested they’d probably need a cartoonist. Turns out that at that exact moment, I was having a heated disagreement with the publisher of ‘The Crag,’ so I was eager to jump ship. After getting the gig at the Outlook, Carol asked me why I wasn’t syndicated. Thinking I knew more than she did (which I did NOT), I said that it was pretty difficult to get signed on with a syndicate. She waved that off and told me to do it myself, and then told me how. The following month, I was a self-syndicated editorial cartoonist, even though I didn’t have any other newspapers yet.
Carol’s gotten a little tired of how often I’ve said ‘Thank You’ to her over the past decade.
The Outlook has been very good to me, and I’m proud to say that one of my cartoons has been in every issue since September 20, 2001. The Outlook was started by Carol Picard, Bob Schott, and Larry Marshall and their blood, sweat and tears permeate the foundations. Sadly, Bob and Larry passed away within months of each other in 2008, a devastating blow to everyone at the Outlook, and especially to Carol as they were all very close. She retired from the Outlook in 2008. Despite their absence, it is still very much the same paper, with the same staff, largely because Carol insisted upon it as a condition of the initial sale to Black Press. It is now owned by Great West Publishing but still feels very much like the independent it once was.
The Outlook’s 10th Anniversary issue was published yesterday, along with a full colour magazine insert that reflected on the early life of this ‘little paper that could.’ The Outlook has eclipsed her competitors, who said it would fail in the first six months, and it is now the newspaper of record in the Bow Valley, while The Banff Crag and Canyon and The Canmore Leader struggle for relevance. For you locals, read Carol’s article, “From Humble Beginnings…” in the magazine insert and you’ll realize just how much they went through to create the paper the entire valley reads every Thursday.
The magazine turned out really well. When they were planning it, I was asked to do a large cartoon two page spread for the centerpiece, a timeline of major events over the last year. While it looks like the whole thing is my creation, it was very much a collaborative effort. From a number of people choosing which events to chronicle to the Outlook design team who put it all together, and most importantly to Natalie Talbot who took my cartoon scenery painting and collection of little cartoons I drew for the events, and turned it into the finished work you see here. She did a fantastic job and in my opinion, her signature should be on it as well.
A few of the staff bugged me last night because I didn’t want to have a chronicling of my cartoons from the early days included in the magazine. I can admit that my reasoning was purely motivated by ego. I don’t like looking at my earlier work because I didn’t draw very well. In retrospect, I probably should have allowed it, because showing the work I did then beside the work I do now only proves what I always say to students and fledgling artists. If you practice and put the time in, you can’t help but get better. Talent will only take you so far. You only improve through hard work.
So here is the first cartoon I ever did for the Rocky Mountain Outlook on September 20, 2001, beside the one I did for the 10th anniversary issue this week, September 22, 2011.
There was a great party last night at The Cellar Door in Canmore, which then spilled over to the Iron Goat, attended by supporters, advertisers, as well as current and former staff. A lot of laughs as we talked our way through the years.
The last ten years have been some of the best of my life, and I’m grateful for all of the opportunities that have been presented to me. The person I was then would be pleased with where I am today, and through all of it, there was a weekly cartoon for the Outlook.
So Happy 10th Anniversary to the Rocky Mountain Outlook and I’m proud to have been a small part of her beginnings. And because it can’t be said enough…Thanks, Carol.
If the name Wacom means nothing to you, we’ve likely never met, you’re not a digital artist, or you landed on this blog entry by accident.
I’ve been using Wacom tablets since the late 90’s. It’s true that you’ll occasionally hear stories in chat rooms about other tablets, but much like the Sasquatch or the Loch Ness Monster, I’ve never met anybody who’s actually seen one. Wacom is by far, the industry standard.
My first tablet was a first generation 4″ X 5″ Intuos and I used that for many years. While I replaced the pen nibs a few times, and the transparent overlay at least twice, the tablet never gave up. The only reason I replaced it was that it had a nine-pin connector, and my new computer did not. Over the years, I’ve had a small Graphire, an Intuos and Intuos 2, and I currently own a medium Intuos 4, a small Intuos 4, and a Cintiq 12wx. Add to that a Bamboo Stylus for my iPad, and my plans to buy a Wacom Inkling, and it’s obvious I’m a fan.
I’ve been fortunate to form a relationship with the company over the past year, and have been pleased to meet a number of great people from Wacom. In the Spring, I was asked if I’d like to demo for Wacom at Scott Kelby’s ‘Light It, Shoot It, Retouch It’ tour when it came to Calgary in July. It was a great experience, one I’m eager to repeat if the opportunity shows up again. Not only did I get to see what it was like to be on the ‘other side’ of an event like that, but I was able to remove the fear of new technology for a few people. These devices aren’t difficult, they’re a lot of fun, and often it just takes sitting down with somebody, and putting the pen in their hand to get them to realize it.
An added bonus of demoing for them was having every tablet Wacom makes show up at my front door a week before the show. It was like winning the lottery for this digital painting art geek, until they insisted I send them all back once the show was done. How is that fair?
Wacom recently announced their Inkling device, and rather than a clunky explanation from me, watch the video and you’ll get the idea.
When it was launched, I started getting emails and Facebook messages from friends and colleagues who insisted I give more details on what it’s like to use it. Let me tell you what I told them. I found out about the Inkling when the rest of the world did. I was not a beta tester, and had no idea it was even being planned. Wacom, like any smart tech company these days, doesn’t talk about products in development and is very good at keeping secrets. Doing a demo for Wacom does not give you access to the vault.
But since it was launched just days before Photoshop World, I was really looking forward to putting it through its paces on the Expo Floor. The staff at the Wacom booth were being pestered about it on Day 1 (hey, they did it to themselves!), but they didn’t have one available to try right away as they had just received them and they needed to charge before releasing them to a lineup of eager testers.
I did not get to put the Inkling through its paces. There were far too many people wanting to try it, so I got about two minutes with the device. But Joe (patient, patient Joe) demonstrated the process, workflow and explained the pen and device quite well. Bottom line, I will be buying one when it’s available in October, and I’ll be sure to provide further details after I’ve given it a good trial.
Wacom also announced their new 24″ HD Cintiq this week. This thing looks beautiful and if I had the spare $2500 lying around, I just might get one. But I’ve made no secret that my lack of traditional art training makes the Cintiq a ‘nice to have’ for me, but not a ‘must have’. As much as I like painting and doing live demos on the Cintiq 12wx, I do the majority of my day to day work on the medium Intuos4. I just prefer to see my whole screen without my arm in the way.
Finally, I was pleased to be asked to be a guest on Wacom’s webinar series this week. While I will admit to being a little nervous about the whole thing, I relaxed into it quite quickly and had a lot of fun. Wes and Joe (yes, the same patient Joe) were great to work with, and encouraged me to keep it light and casual, which is right in my wheelhouse. The hour flew by and I would welcome the opportunity to do something similar in the future.
Thanks to so many of you that commented on Facebook, Twitter and email afterward, letting me know that you enjoyed it. A few of you even apparently learned something, which is always a nice bonus.
It really is a thrill for me to be working for and with Wacom once in awhile, because it’s so easy for me to pitch and endorse their products. People will often ask me if they need a Wacom tablet to do the type of work I do. Most of the time it’s because they’re trying to avoid making the financial investment, even though they’re very affordable.
The answer, is an unconditional YES. To paint digitally or do almost any type of creative artwork in Photoshop or Painter, you NEED a Wacom tablet. Just as an oil, acrylic or watercolor painter needs to spend money on canvas, brushes and paint, a digital painter needs to spend money on the necessary tools as well. A Wacom tablet is absolutely one of those necessary tools.
If you’d like to catch a replay of the webinar that was live earlier in the week, here it is, available on YouTube.
Coming up with new cartoons with Canadian themes each year is tough, as I’ve done a number of them. The beaver, the flag, the food, the crowds, fireworks, troops overseas, the Parliament buildings…and while all of them are valid, iconic, or important, it’s difficult to keep it fresh each year.
When my wife and I were on vacation recently on Vancouver Island, we went on a great wildlife cruise through the Broken Islands Group out of Ucluelet. As we were heading through the channel into open water, I spotted the CCGS Atlin Post coming up behind us. Since we were slowly sightseeing and watching some eagles along the shore, she quickly overtook us and I was able to snap a bunch of photos, including this one.
It wasn’t until we got home that I thought this might make a good reference image for a Canada Day cartoon. Here’s what I came up with.
A good friend of mine works as the Chief Engineer aboard the CCGS Samuel Risley which patrols the Great Lakes, an icebreaker in the winter and service vessel all year round. He alternates between a month here at a home in the mountains and a month on the ship. He told me he printed the cartoon and put it up around the ship, and that it was well received. Here’s a photo he took of their MUCH bigger boat.
So, today on Canada Day, here’s to the Canadian Coast Guard and specifically to my buddy, Paul, and the crew of the Samuel Risley. Happy Canada Day!
For the final week of my giveaway, I am giving away a copy of my training DVD, Cartoon Illustration Techniques in Photoshop! This is the first DVD that I’ve done for PhotoshopCAFE, and a $49.99 value!
Now, I realize that not everybody who follows my work uses Photoshop or has any interest in being an artist, so while this is a prize some people will want, it’s not one that everybody will want. With that in mind, I’m offering a choice!
If you have no need of the DVD, I am repeating LAST week’s prize as the alternate, a 16″X20″ matted paper print of your choice from the ones I have available in my online store. That’s the BIG print! You can choose the Moose, Wolf, Ground Squirrel or Grizzly Totem.
All you have to do is go to my Cartoon Ink Facebook page, click on Like (if you aren’t already following that page), find the FINAL WEEK post (look for the image of my DVD) that asks you to comment, follow the instructions, and you are entered!
You have until Thursday, May 26th at midnight MST (that’s MOUNTAIN time), and I will announce a winner on Friday! I’ll find an impartial person to pick a random number that will correspond to the list of entries. GOOD LUCK!
My wife and I watched the Disney film ‘Tangled’ again last night. I bought this DVD before I’d even seen it which was rare for me, but there was something in the trailers that told me that even if the story was weak, the artwork would be worth it. I wasn’t disappointed in either. I posted on Facebook that ‘this artwork makes me high,’ and I wasn’t kidding. There’s something about cartoons with a lot of life in them that just gets me excited. While Disney may not do it for everybody, and I’m not a huge fan of every one of their movies, this style makes me want to be a better artist. It makes me hungry to sit down and draw.
No matter what creative avenue you’re strolling down, if the scenery isn’t doing it for you anymore, and you’re bored, find something that will reignite that old passion and put a spring in your step. I have a few go-to books and movies that do it for me. Tangled is now added to that library.
I’ll often get people asking me if I want to animate, and the answer is a flat out ‘No.’ A number of years ago, when the general consensus seemed to be that Flash animation was the next step in editorial cartooning, I did create a weekly animated editorial cartoon called ‘Beaver Fever.’ Sort of a Rick Mercer/Jon Stewart wanna-be cartoon beaver with guests and commentary, that sort of thing. A lot of people liked it, including some big media outlets in Canada, but nobody wanted to pay what it would take to keep me doing it, so I scuttled that ship. I didn’t enjoy the work. It felt tedious and mechanical.
Knowing what you want to do is essential in any career, but equally important is knowing what you do not want to to do. I do NOT want to be an animator.
But I love movies. I mean, I REALLY love movies. I’m not obsessed with them, by any means, but I can watch some movies over and over again. Tangled will be one of those. I would love to work designing characters for movies one of these days. Not full-time or anything, just a commission once in awhile. It would be great to see some animal I created brought to life on the big screen. That’s one of those things I regularly throw out there into the ether, because it seems to have worked well for a lot of other dreams that have become reality in my career.
Never underestimate the power of passion. Glen Keane has worked on some of the best animated movies out there, often as Supervising Animator. I’m talking about Aladdin, Beauty and the Beast, The Little Mermaid and of course, Tangled. There are many others of course. Those who followed the comic strip, Family Circus, as I did growing up, will be interested to know that Glen is the son of cartoonist Bil Keane, and was the model for the character Billy in that strip.
While I have known and admired Glen’s work for years, I am most in awe of an artist who has been working in the field for as long as he has, a man who has done and seen it all in the world of animation, and yet still has that passion in his voice for his craft. You can tell he is still excited to be doing what he’s doing. Watch this video and you can see it. Listen to how he talks about this character. To Glen, she is real, she has life, and most importantly, she has passion.
My DVD’s arrived in the mail this week, some of my promotional copies from PhotoshopCAFE.
While it seems like quite awhile ago that I finished the challenging task of recording my first training DVD, it really hasn’t been that long at all. At the time I was working on this project, it felt like a monstrous undertaking. In retrospect, I wouldn’t change the experience, because I can now look back on it with a great sense of accomplishment. Holding the finished product in my hand is made all that much sweeter because of the difficulty and stress I went through recording it. Many times during the process, I thought to myself, “there is no way I’m going to finish this, and if I do, it’s going to be an incoherent mess.”
I’m now working on my second DVD for PhotoshopCAFE, and while it will still be a challenge, I find myself without any of the anxiety I felt while working on the first one. Without challenges forcing you to step out of your routine, there is no growth. Even though I already knew that, it would appear that I need to be reminded of it once in awhile. This DVD did just that, and I’m grateful for the lesson.
Let me begin by saying, I am NOT a royal watcher and there is no chance I’ll be up watching the wedding in the middle of the night. That being said, a lot of people are following the media feeding frenzy leading up to the nuptials, so I had to do a cartoon or two on the event.
One of the most difficult things for me to do is create an image like this for an editorial cartoon. Newsprint is a muddy, ugly medium for illustration. The usual effort that I put into a painting is completely lost when the image is printed in a newspaper, so I have to be careful not to waste my time on detail that will never be seen.
Skin, hair, texture, subtle transitions of light and shadow…it’s all a big waste of time. Unfortunately, it’s also what my painted work is becoming known for, so when it comes to including it in my portfolio, I’m on the fence. It doesn’t belong with the painted portraits and caricatures of people, but probably will be fine in the Illustration portfolio.
Another reason an image like this is tough is that there is a tight deadline on it. Editorial cartoons need to be drawn and sent as quickly as possible. Not only am I often competing with other cartoonists for freelance spots in many newspapers across Canada, but the news changes so quickly, that the work put into an editorial cartoon often has to be balanced against the likelihood of getting paid. This is a big event, most of my newspapers will want to cover it, so I felt it was worth putting a lot more time into this cartoon, as it can be used not only in the usual editorial cartoon slot, but as an editorial illustration as well. I planned ahead and started sketches three or four days before I intended to send it out. While I didn’t keep track, I’d estimate that from sketch to finish, it took around eight to ten hours.
For those who have purchased my DVD, you already know the process of sketch, ink, flat colour and shading. I changed it a bit for this image. While I did do an initial sketch of William and Kate, I went right to painting on a different layer, with the sketch layer as a guide. All of the other elements were roughed out in Photoshop, with no paper sketch.
I was pleased with the painted image, and it if it were for a magazine or online publication, I would have continued with the painted look, but had to add an ink layer for newsprint, so it would be sharper and stand out more. It wasn’t until all of the shading and painting was done that I added the ink. Many publications have different printing processes, so the cartoons end up lighter in some newspapers. The ink layer ensures that the image will still look decent, even if the shading gets washed out a bit. You’ll notice, however that the ink layer was done with much thinner lines than I normally use, because the thicker lines wouldn’t work for this image.
Other challenges with this image included creating a fishbowl castle version of Westminster Abbey, which is very tall and narrow. You’ll notice mine is squashed, which was something I had to do to fit it in the fishbowl. I also intentionally went with the molded porcelain ‘fishbowl castle’ look for the Abbey, rather than the crisp pristine stone look of the real church. It really didn’t end up looking all that much like the real building, but people should get the gist of it.
Not knowing if Kate would be wearing a veil or tiara or what her dress would look like (oh the suspense is just KILLING me, don’t you know?), I didn’t worry about it. I just put William in the same outfit his father wore when he married Diana. While I do prefer painting more detailed work, I did have some fun on this. Were it not for the deadline looming over me on the day I put the most work into it, I might have enjoyed it a little more, but that’s the necessary compromise every commercial artist needs to make peace with. It’s an enjoyable job, but at the end of the day, it’s still a job.
This is a series of snapshots of the different steps I go through when creating a cartoon in Photoshop, and the techniques I teach in detail on my recently released DVD from PhotoshopCAFE. Happy Easter!
While the hard copy of my first DVD will be making its debut at Photoshop World this coming week in Orlando, it is now available for purchase as a download from PhotoshopCAFE. The hard copy will be available in the next couple of weeks.
This is a little surreal, having my own training DVD, but part of the natural evolution of being an artist. ‘Learn it, do it, teach it’ is a fairly common saying, and it does tend to bring things full circle. While I will always have more to learn, and will never be finished working to make myself a better artist, it’s been an interesting experience teaching a little of what I’ve learned so far.
This was a huge undertaking for me, and I wondered if I’d ever get it done, but I’m very pleased with the result, and already planning my next title. By all accounts, the second one should be a lot easier.
This grumpy little fellow is a Golden Mantle Ground Squirrel. They’re found in a number of places around here in the Bow Valley, and it’s usually pretty easy to get photos of them.
