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The Week After


My wife and I gave up celebrating Christmas a number of years ago. After years of working in the tourism industry, the holiday became something we dreaded, not looked forward to. One of the hardest things new staff in this area have to get used to is that you do not get Christmas off to go home and visit your family. This valley is run on tourism, so all of the hotel rooms are full of people coming to the mountains with their families. Those hotels, restaurants, and ski hills need to be staffed. Unfortunately, few of these families seem to be having a stress-free vacation and that usually lands on the staff as well.

While neither of us work in that sort of job anymore, we never reignited the ‘Christmas spirit’. Our home looks the same on Christmas Day as it does in the middle of July. We don’t decorate, exchange gifts, or do anything remotely Christmas related, aside from attend a couple of parties. And really, it’s just because we enjoy seeing friends, although this year, neither of us were much in the mood for that, either.

A few years ago, we convinced our parents not to give us any presents, so there is no swapping of the gift cards or cash, or blowing our budget on things none of us need. For a couple of years there, it was almost like putting in an order…tell me what you want, and I’ll go buy it. We don’t have children, so Santa doesn’t need to come to visit, anymore.

This year, we did go home to Red Deer for the weekend, and it was nice and quiet. Friday with my wife’s family, Saturday with my folks, then home Sunday afternoon. A couple of nice dinners, but very quiet and relaxing, and no gifts exchanged. Played a few games, had a few laughs, and enjoyed each others’ company.

While I wouldn’t try to convince anyone else to give up Christmas, especially if they have children, it is definitely time for a lot of people to put on the brakes. Whether it’s for the obvious religious reasons or simply for spending time with family, each person should figure out what exactly it is that they’re celebrating.

I’ve watched in disbelief these past couple of weeks as every single day, there was at least one segment on the news about our current debt crisis, how people are living beyond their means with massive credit card and household debt, and advice from experts on how to curb holiday spending. All the while, many retailers are reporting record sales at the malls and online. The same will happen this week, no doubt, as big ticket items (and everything else) are on sale. Remember when Boxing Day was just a day? Now it’s a week. Judging from the footage we see on the news each year, people aren’t thinking about their fellow man when they’re pushing and shoving and rushing those doors to get 20% off a 3D TV.

Sure, you can call me Scrooge or Grinch, and you’d be accurate. While many people talk a good game about the holiday spirit and the true meaning of Christmas, there seems to be less and less evidence of it with each passing year. We keep buying more and more stuff trying to make ourselves happy, and when it doesn’t work, we just buy even more stuff. It’s the same reason a cocaine addict needs to keep taking more and more of the drug and never manages to get back to the initial high.

It’s as if everyone has gone mad and forgotten the lessons we were supposed to have learned the past couple of years from a near-depression economy. But it’s Christmas, and nobody wants to hear it, even though the ‘Ghost of Christmas Past’ credit card bills will show up soon enough.

I sincerely hope everyone had a good Christmas, and that it was free from pain or tragedy. But now that it’s over, ask yourself what you didn’t like about it, remind yourself throughout the year that YOU control your holiday, not the media, and not Big Box retailers. If you want to cut back next year, tell your family about it in July, before anybody has bought anything. Warn them that you won’t be buying as many gifts and ask them to do the same. And if you’re met with anger over the mere suggestion of it, that should be your first clue that something is seriously wrong.

If you really believe in the ‘true’ meaning of Christmas, whatever that may mean to you, put your money where your mouth is.

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Another iPad Finger Painting


This finger painting was done on a new app that I bought for the iPad, called ArtStudio. I had been using Sketchbook Pro, and even though I still consider it a great painting app, I now prefer ArtStudio by a wide margin. Without going into great detail, I’ll just say that this is as close to Photoshop as I’ve seen in an iPad painting app, and I found it very easy and enjoyable to use.

There are third party stylus pens available for the iPad, but they all seem to have mixed reviews, and one I tried put a few little scratches on the screen, so I’ve opted out of trying another one just yet. For now, I’m content to just keep on finger painting, as I don’t think I’m really losing anything.

I don’t know how much time I spent on this painting, as it was just ten minutes here and there over the past couple of weeks. It is doubtful that I’ll ever produce any finished work on the iPad, but I’m enjoying using it as a sketch pad.

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Final Painting Demo of the Year


Last Saturday, I was painting in Banff, but this Saturday, I’ll be in Canmore again for the final painting demo of the year. Still working on the Owl and the Bighorn Sheep, and they’re really starting to come alive. I’m working on the fine details of both paintings and while they won’t be done ’til January, they’re awfully close. Probably another five or six hours left on each.

If you happen to be in the area on Saturday the 18th, and would like to see some digital painting, ask some questions, or just stop by to say Hello, I’ll be at Two Wolves Trading Company from 11-3.

Hope to see you there!

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Painting Demo Prep


A couple of half finished paintings I’ll be working on today at Editions Gallery in Banff. This morning, I’m taking an hour to do my prep.

The prep work for one of these sessions is fairly easy, just making sure I have all of the pieces I need. For hardware, it’s my laptop, Cintiq, spare Intuos4 tablet, iPad, secondary display monitor, connection cords, power cords, and extension cords. For software, it’s having the working files for the paintings, the reference photos to paint from, the Photoshop brush set for live painting and making sure that it’s all working well. Finally, I need to bring any surplus canvas and paper prints to have on hand if the event generates any extra sales.

I’ve done 6 or 7 of these now, and each one gets easier. What’s the difference between the first one and the one I’m doing today? Well first of all, I was incredibly nervous the first time, and today, no nerves at all. As in all things, the hardest part is usually taking the first step. At this point, it honestly just feels like going to a part-time job.

In the beginning, I was disappointed if these live sessions didn’t result in sales, but that’s no longer the case. The paintings are selling well now without the demos, so the goal from these appearances is just to generate interest and provide a little education. While somebody may not buy a painting today, they may see one a month from now and remember that they saw me working on something similar. Sometimes having a connection to a painting, having a story to tell about it, makes the image more desirable.

There’s a lot more I need to learn about the publicity and sales aspects of these paintings, and I imagine that will always be the case. So I’ve chosen to keep doing these painting demos on a regular basis, and just consider it ‘on-the-job’ training.

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NAPP-A-THON


Anybody who knows me professionally will have figured out that I’m a fan of the National Association of Photoshop Professionals. I’ve been a member for 6 years and I’ve often told people that if there was only one organization I could belong to, it would be NAPP. I have learned a lot from this affiliation.

Whether it’s their online training, their crash courses on the first day a new version of Photoshop is released, or the great experience of attending two Photoshop World events, NAPP consistently gives me good value. And best of all, I consider so many of the people I’ve met online and in person through NAPP to be valued friends and colleagues, not to mention some of the most talented people I’ve ever run across.

The best thing about NAPP, is that they try to have fun with their training, even though it’s often intentionally cheesy. If you’re not a NAPP member and would like to get an inside look at how they operate and what they offer, tune in tonight for NAPP-A-THON. Even though it’s free, be sure to register in order to qualify for prizes. 7PM Eastern for three hours. Should be fun.

And yes, there will be cheese. Guaranteed.

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Another Painting Demo in Banff


The Bow Valley is usually quite busy this time of year. Whether it’s folks visiting for skiing or other winter activities, shopping for the holidays, or just taking a break from the city and coming out to see the fresh snow on the mountains, there are plenty of people milling about Banff and Canmore on the weekends.

With that in mind, I’m going to be doing a couple more painting demos before the year closes out. This Saturday, December 11th, I’ll be at Editions Gallery in The Cascade Plaza in Banff from 12-2, 3-5, and 6-8, working on the Bighorn Sheep and Great Horned Owl paintings that I currently have on the go.

If you’re in the area, stop by and watch a little digital painting, ask a few questions, or just say Hello.

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A Weekend Pass.


The next few weeks are going to be very busy, as I have a lot on my plate, so I took the weekend off to recharge the batteries. No email, no Blackberry, no work.

A buddy and I headed out to a friend’s cabin in Golden, BC on Friday morning, and I think that it was just what I needed to make it through the rest of the year. With no electricity, no phone, and no running water, the cabin is one step removed from camping, and a perfect retreat. A bit of a hike to haul in the gear, but it’s worth it.

I’ve been going to the cabin for over 13 years now, and it is one of my favorite places to unwind. I’m very thankful for our generous friends who allow a few of us the privilege of using it whenever we want to.

With a fire roaring in the wood stove, plenty of food and drink, I spent most of the day Saturday reading a book, which is a luxury I don’t often allow myself these days. I’ve been wanting to read Outlook reporter Rob Alexander’s book, The History of Canmore and as I really enjoy learning about this area, I couldn’t put it down. I found myself looking at Canmore with different eyes when I got back into town this afternoon, wondering what the early settlers would think of what we’ve built upon their foundation.

Beautiful drive home today through the mountains, and already back to work sketching this evening, but I’m in much better spirits than I have been in the past month, and feel a little better about the heavy workload I’ve got that will take me into the New Year.

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Bighorn Sheep – Work In Progress


This is a sneak peek progress shot of the Bighorn Sheep painting I’m working on. After the success I’ve had with the Moose and Wolf paintings, I feel a certain amount of pressure that my next paintings have to be better than anything I’ve done before. While that’s always the goal anyway, it’s different right now in that I’m very aware of it, so I’ll likely obsess about the details on the current paintings quite a bit more. I’m also enjoying working on two pieces at the same time. Hoping to spend a few hours next week on the Great Horned Owl piece.

Lately I’ve been feeling the itch to get back into doing some paintings of people. Aside from some editorial cartoon caricatures, I haven’t painted a likeness of a person since the Bert Monroy caricature I did five months ago. The next one will likely be an actor or musician, but not anybody on the A-list. There are a number of character actors I’ve wanted to paint over the years and I think it’ll be time to finally tackle one of those in the new year.

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No photos were harmed…


Had a painting demo this weekend at Two Wolves Trading Co. here in Canmore. Many people have never seen digital painting before and it’s fun to show them how it’s done. A few brave souls even gave it a try when offered the chance, although most were nervous that they were going to break the tablet. I assured them that Wacom makes a sturdy product.

Something I’m hearing more and more of, is questions asking what I’m doing to photos to get them to look like paintings. I’ve almost drawn blood from biting my tongue when this comes up. I know that I’m not alone in my frustration when faced with this, as I’ve talked to other digital painters who deal with the same false assumption.

I will admit that it’s unfair for me to judge anyone too harshly, because as I said, many people don’t know how digital painting is done. Unfortunately, I’ve realized that whenever somebody sees a computer, they automatically think that anything produced on it has been done by some sort of trick, as in a filter or a piece of software doing all the work.

While I do use photos for reference, just as any portrait, wildlife, or landscape artist might, no photo has ever been part of the image that results in one of my animal paintings. I don’t even use photos for textures in these paintings. It’s all brush work, and it starts from a blank white ‘canvas.’ Each one of these takes around 20 hours of work to complete, sometimes more.

The animal paintings are caricatures of real animals, so I need to know what the anatomy of a real animal looks like, just as you would when doing a caricature of a person. Even though the finished paintings are different from the photos I use for reference, all of the photos are used either with permission (I have some very generous friends) or are paid for, either in trade of a print or cash.

Photoshop is a wonderful piece of software, but despite the name, it’s not just about editing or manipulating photos. Much of the illustration work you see in magazines, on the net, or in ads has been drawn or painted in Photoshop. It’s an incredible illustration tool and I love working with it, but there are many days that I wish Adobe had called it something else.

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Painting Demo


Today and tomorrow, I’ll be doing another painting demo at Two Wolves Trading Co., as mentioned in a post earlier this week.

The images you see here are what I’ll be starting with. At this point both of them are still at 72 ppi, which is only web quality. I still consider these both quite rough. I usually don’t blow an image up to 300 ppi until I’ve got ‘the bones’ of the image done, which I’m pretty sure I’ve got for the bighorn sheep, but not quite for the great horned owl. There are still some structural issues I’m not quite happy with, but that will come with a little more time.

The reason I start at 72ppi is that I even though I have a fast computer, Photoshop doesn’t always do well with really quick sweeping brush strokes when it comes to a large size image with a high resolution. With painting at a lower resolution, I can move the pen/brush as fast as I want without any lag. Lately I’ve found a lot of good results with painting very fast in the beginning at low resolution. It gets to a point where I’m not thinking too much while I’m doing it, and if you ask anybody that knows me well, they’ll tell you I almost always think too much. At this size, I’m just throwing colour and brush strokes around, figuring out what’s going to work and what’s not.

The other reason I start with images at this stage when I do painting demos is that people don’t want to see the first blobs of paint and then be told that eventually it will look like a bighorn sheep or an owl. They want to be able to see the animal I’m working on.

A little different method this time around. I’ll be using my new Cintiq tablet, which means I’ll be painting right on the screen. Another great use I’ve found for my iPad is using it to store my photo reference. Great screen quality, and I can flip through the different images I’m using quite easily.

If you’re around Two Wolves Trading Co. in Canmore today (across the parking lot from Safeway beside Starbucks) between 2-4 or tomorrow between 12-2, stop in, ask questions or just watch. I’m able to talk and paint at the same time.