Posted on

Good News Comes in Threes

Now that some businesses and services are opening up again, I’ve realized how many little things I take for granted.

My eye appointment last Monday for new glasses was a strange experience with all of the precautions, but I was grateful to have had it after I broke my frames weeks ago. Looking forward to the new ones, as a piece of duct tape is holding the current ones together.

The week everything shut down, I was supposed to have my teeth cleaned, something I do three times a year. Our hygienist has been looking after Shonna’s and my teeth for more than twenty years and has never seen me as happy about an appointment as I was yesterday.

Because of how busy they are at the best of times, I book my haircuts months in advance. Obviously, I have missed the last two, but I’ve got another booked for next Thursday. They’re not open yet, but I’ve got my fingers crossed.

Shonna and I went to Costco in Calgary for the first time in three months on Tuesday. We spent a lot more than we usually do, but we’re set for a while on the stuff we use most. They were well organized, and we went on a Tuesday morning, so it didn’t take long at all.

I noticed quite a few people wearing masks while we there. We were both wearing my Lion Face design and got quite a few appreciative looks. One woman asked where she could get one, so I suggested she follow my newsletter for when the next order would be available. She opened her purse on her cart, stepped back to maintain physical distancing and asked me to drop my card into it—what a strange new dance we’re all doing.

Here’s a selfie I took in Costco to send to a friend.
Which brings me to…

The Next Face Mask Order

The masks from the first order have all been delivered or shipped. I know many still haven’t received them with the mail moving a lot slower these days. But some of you have been sending me photos the last few days of you or your families wearing your newly received masks, and I’ve enjoyed that a lot. Some of them have made me laugh out loud.

So if you want to send me a picture of yourself in your mask, please do! And if you’re OK with me sharing it on my Instagram profile, let me know if that’s OK, too.

I heard from several newsletter followers who were disappointed they missed out on the first pre-order. For one reason or another, as happens to all of us, they missed that email.

With that in mind, this is the TWO DAY warning that the next mask pre-order will be happening on Saturday, May 23. Just as I did with the last one, I will be announcing it Saturday morning, sending out the options, pricing, and when you can expect them.

Pacific Music and Art went through a gauntlet of challenges with the first order, but they’ve worked out the bugs, supplies are on hand, and we aren’t expecting any delays.

Sign up for the newsletter here. Please don’t send me any orders until after I send the next newsletter on Saturday. Because of the work involved taking the orders and that I still have other editorial cartoon deadlines on the weekend, there will be a 24-hour window to get your order in.

Calendars


My 2021 calendar from Pacific Music and Art has launched, and the first shipment is on its way to me right now. I expect to receive it any day, might even be today. I’ll be offering those for sale sometime next week. The theme for my second calendar is BEARS, which is appropriate, considering that it’s National Bear Awareness Week.

I received my first sample with the last order of masks and was quite pleased with it. It’s funny that six of these bear paintings are of Berkley from Discovery Wildlife Park, and two of the black bears live there as well.

Prints

I’ll be uploading half a dozen new prints to the online store next week, and spending a good part of today putting those together. There will be a promotional offer combined with a calendar that will go along with that, with more details to follow soon.

Thanks for stopping by, and I hope you’re all doing well.

Cheers,
Patrick

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Walking with Wolf Pups

If you’d asked me how I was doing during the past couple of months, I might have answered that I’ve had OK days and not-so-OK days, for reasons I need not explain.

This past Sunday, however, was the first good day in a long while. And it was a really good day.

Discovery Wildlife Park is open as a drive-thru right now, an Alberta Health Services approved method for people to still come and see the animals, but they must stay in their vehicles. It’s proving very popular and they’ve been busy, with a steady stream of cars winding through the park on their well-manicured gravel pathways. The staff helps the animals be seen, they answer questions and do their best to make it an enjoyable experience for their guests, despite the distancing measures.

While I think it’s great they have this option, it’s not one I’d planned on experiencing. I’ll admit to being spoiled by my connection to the park, and the access they’ve given me. I just don’t want to see Berkley from my car, especially given the drive time to get there.

Shonna and I have been very good at following the isolation rules in all of this. She still goes to work at the law office each day, but it’s closed to the public and they have the appropriate safety measures in place. I’ve stayed home, only going out once a week for groceries, completing all of my errands in as few days a week as possible.

Alberta relaxed a number of restrictions on Friday, allowing people to get together in small groups. Some more businesses have been allowed to open and people are venturing out of their homes, though still being advised to wash their hands, keep their distance, and exercise caution.

Serena and I were texting Saturday night as we sometimes do, as I’m always curious to see how the animals are doing. She often sends behind-the-scenes pictures and videos for us. I made the off comment that it’s too bad I wouldn’t be able to see the wolves while they were pups, to which Serena replied, “Why not?”
As she did with their Brown bear Berkley when she was a cub, Serena takes 8-week-old Sassenach and Highlander for a walk each evening in the large fenced wooded area at the park. She lets them explore, play, and get into trouble, without having to worry that they’ll go anywhere.

We’ve had the privilege of many walks in the woods with Berkley. So it was exciting when Serena invited us to come up Sunday evening and meet the wolf pups in the same way.

Shonna later said she was impressed at how I jumped at the chance without overthinking it. Spontaneous is not my default setting.

We couldn’t have asked for a better day. With warm temperatures, sunny and cloudy skies, very little traffic on the highways, we headed up that afternoon, a little over two hours’ drive one way.

I talk with my parents often enough on the phone and via FaceTime, but we hadn’t had an in-person visit since they left for Arizona in the fall. As they live ten minutes from the park, we made time for a short visit on their deck beforehand, keeping our distance, of course.

We met Serena at the park at 6, drove over to the wooded area and before long; the wolves were doing their thing while we took pictures.
Part of the reason we have such a good relationship with the park is that we’ve always given the animals their space. There’s no chasing, lunging, grabbing, yelling, basically any behaviour that’s going to freak them out. We were content to watch, let them get comfortable with our presence and it was up to them to come to us.



Thankfully, once they did, both pups did check us out, but their primary focus was on each other, exploring, playing and attacking.
As Serena said, “It’s Fight Club, every night.”

We spent about two hours with them, visiting and catching up with Serena and taking a lot of pictures. I had my camera, but also my phone. Shonna and Serena took pictures with their phones and I got copies of all of them. So most of these pictures are mine, but some are theirs, too. And we don’t really know which are which.
The funny thing is that like most young animals, they were just bundles of energy, until they weren’t. Once they crashed, they crashed hard. Serena then told us we could pick them up, because at that point, they didn’t care. Holding a snoozing wolf pup is a real treat.
As always, we are forever grateful for our connection with Discovery Wildlife Park. Their orphaned and rescued wildlife critters receive the best care, and you need only look to how the keepers and animals behave around each other to realize how much love there is between them.
We were happy to make another donation to the park while we were there, as they really need it right now. In a regular year, they’re only open from May to October, but they still need to feed and care for the animals the other six months of the year. Maintenance of the facilities, upkeep of the grounds and enclosures, veterinary bills and a long list of accessory expenses, not to mention the salaries of the dedicated staff, makes for an expensive undertaking.

I came home with about two thousand photos. After hours of weeding out the ones I can’t use, I still ended up with dozens of reference shots. I’m so glad to have taken photos while they were little, because they certainly won’t remain that way for long. Their eyes are already changing from blue to yellow. There’s no doubt I’ll eventually create paintings of both of them.

After more than two months of being locked down, that was the perfect break from isolation. And to top it all off, Shonna and I drove back into the mountains that night under a brilliant red sky, one of the prettiest sunsets we’ve seen this year.

Cheers,
Patrick
___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Face Masks: The First Order

In addition to the usual daily editorial cartoons, this business of face masks has occupied the majority of my last few weeks. The response from my newsletter subscribers was overwhelming and far exceeded my expectations. While there were delays for various reasons, and I sent regular updates to those who ordered, it all came together this past week.

With two shipments from Pacific Music and Art, three evening visits to Shonna’s work to use the postage meter, four visits to the post office, and one trip to Bow Valley Basics when I ran out of large bubble mailers, not to mention the hours of sorting, checking and double-checking the list, it’s been a challenge.
I made two trips around Canmore delivering masks, one trip to Banff yesterday morning, and by the end of day yesterday, the bulk of this adventure has been completed.

(I did come home from Banff with home-baked cookies. Thanks, Helen!)

As of yesterday, all of the Canadian orders have been delivered or shipped. There are a couple more minor deliveries I need to make, and the U.S. orders will go out Tuesday morning. Monday is a holiday here in Canada so the post office will be closed. The US orders are a little more work with Customs forms and the fact that they have to go as small parcels, rather than regular large letter mail like the Canadian shipments.

The masks just didn’t arrive in time for me to get all of that done by the cut-off yesterday.
I sent a bunch of masks to Discovery Wildlife Park and The Alberta Birds of Prey Foundation yesterday, both places I’m anxious to visit as soon as I’m allowed. My friend Serena said they can’t wear masks around the animals as it freaks them out, but I donated them for the keepers to use in their regular day to day lives wherever it might be required.

The first orders were sent Wednesday morning and some in Calgary already got them. People have been kind enough to send me photos, which was fun to see. I’m sharing them here with permission.

I’ve been getting many requests for a second order, but making no promises, as this situation seems to change every five minutes. Right now, the demand is incredibly high but I don’t know if that will continue. It seems some are switching gears from extremely diligent to, “screw it, who cares?”

For example, Alberta was still advising caution on Thursday, and then yesterday announced, “Hey, it’s the long weekend, have at ‘er!”

I’m not sure how a large group of people having a backyard BBQ are expected to keep a 6 ft. distance outside, but then all go into the house to use the same bathroom and hand towels. Not to mention that it’s well established that alcohol and impaired judgment go hand in hand. Hopefully, in hindsight, this won’t be referred to as the Victoria Day Petri Dish Debacle.

Guess we’ll see what happens.

All of the masks contained an additional method of ensuring a good fit.

Some received a little packet inside containing a couple of rubber grommets. Since the actual grommets are still on back-order, the owner of Pacific Music and Art tried a number of different solutions and came up with surgical tubing. He then cut it into little pieces, and included instructions on how to attach them. Because I wanted to make sure I had all of the masks for the orders, I only took one mask out for myself this week; to wear into the post office and other confined spaces. The grommet solution worked very well. They stayed in place and allowed me to put the mask on and take it off without touching the front of it, which is what ‘they’ advise.
While that first shipment arrived with the grommets, the second shipment included plastic pieces that go behind your head. The ear loops attach to different prongs and make it adjustable. Some have been calling these ear savers, as thin elastic ear loops are irritating the wearer. In the limited time I wore my mask, I found the grommets worked well and didn’t find the loops to be a problem.

Some orders will receive a mix of grommets and those plastic fasteners.
Production costs were higher than expected and prices have been adjusted accordingly. If you did get the plastic piece, count yourself fortunate. On future mask orders, those will be an add-on with additional cost of $3.00. The masks themselves have gone up in price. $15.99 for the large, $14.99 for the small.

So while my newsletter customers had to be patient through delays on the first order, they got the masks at a much better price, with additional fasteners at no extra cost.

I’ve had three people this week tell me to send them a text when the next order is available. That’s not realistic. For any future offers, sign up for my newsletter, as that’s where I’ll announce it.

Since I haven’t had any time to do so lately, I wanted to get up and start a new painting this morning, but that didn’t happen. I still have plenty of work to do today, but I’m not in the right frame of mind for the creative stuff. I’ve been hearing a lot about idle time and boredom during this isolation and how people are trying to occupy themselves. I haven’t experienced any of that. I’m worn out.

Thanks to all who ordered the masks and were so patient throughout the process.

Cheers,
Patrick
___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

A Cheetah Painting and Photoshop Friends

For many years, I was a member of a group called the National Association of Photoshop Professionals. I don’t remember when I joined, but I think it was sometime in the late 90s or early 2000s, and I remained a member until 2014 when it rebranded.

Owned and operated by Scott Kelby, the organization contained a wealth of online tutorials, a magazine called Photoshop User, and the Photoshop World conference. There was extensive training from internationally well-known instructors, each with their own areas of expertise.

Before social media ruined it all (yeah, I said it!), when like-minded individuals wanted to learn from each other, share their work for critique, answer each other’s questions and simply offer support, there were online forums where artists could gather.

I learned a lot from the NAPP forum and made some terrific friends there. Quite a few of them, I never got to meet in person, but when I finally got to Photoshop World Las Vegas for the first time in 2009, that was the best part of the whole experience, meeting this community in real life.

Over the next five years, I enjoyed seeing them each year, attending classes together all day, parties at night, hanging out at different venues. It was a fun event.

My involvement with NAPP was in a large way responsible for my now expert level skills in Photoshop. The networking opportunities introduced me to people and companies that advanced my career in many ways. I recorded a couple of training DVDs for Photoshop CAFE, wrote some articles for Photoshop User magazine, and won a few prestigious awards. It was due to a weird comedy of errors at my first conference that led me to a long and productive relationship with Wacom, the company that makes the digital tablets and displays on which I create my artwork.

I honestly believe that if I hadn’t been a member of that organization, with the opportunities and insights it afforded, I wouldn’t be painting my whimsical animals today. There’s a direct line between those people and experiences and the work I enjoy most.

Sadly, nothing lasts forever. The organization changed focus, became the Kelby Media Group, they retired the forum,  and most of my friends stopped attending Photoshop World. It doesn’t hold the same value that it used to.

I still talk to some of them now and then, but not nearly as often as I’d like. To this day, there are still a few people who call me Monty, my username from that forum.

For the first part of my career, while I’d been drawing editorial cartoons, I would also paint detailed caricatures of celebrities, and people would hire me to paint them for weddings, anniversaries, birthdays and the like. But I didn’t see a future in it. The first funny looking animal in 2009 was an experiment, inspired by some personal reflection following my first Photoshop World that year.

Without good reference photos, I can’t paint the detail I enjoy, so in the beginning, I had to buy stock photos and relied on the generosity of photographer friends I knew through NAPP.

In 2014, I had already been taking my own photos with a decent camera I’d bought, but it was essentially a point-and-shoot with a good zoom lens. That spring, I painted a family of owls from the reference I’d taken myself here at Grassi Lakes above Canmore.
At Photoshop World that year, I won the Best of Show Guru award for that painting. At the last minute, they announced that part of the grand prize would be a Canon 5D Mark III camera. The oohs and aahs from an audience of mostly photographers indicated that it was something special. I had no clue.

When I won, I remember somebody laughing and saying, “Of course, the illustrator won the camera!”

When I returned to my seat, the friends I’d been sitting with told me just how good it was and that it was worth thousands of dollars. I remember calling Shonna to tell her I’d won, and we mused that I should probably sell it on eBay as such a professional camera would be wasted on me.

When I mentioned that idea to my buddy Jeff from Boston, he gave me some of the best advice I’ve ever received in my career. He told me to keep it and learn to use it.

Since then, I’ve discovered a love of taking reference photos, and it has become as much a part of the creative process for me as the painting itself. While I don’t make a habit of calling myself a photographer and have no designs on going pro, I enjoy it a great deal.

I’ve taken good care of that camera, been using it for six years, and it still does the job I need it to do. If something happens to it, or when it comes to the end of its life, I’ll buy another professional camera, because it’s now such a big part of my work.
Still, now and then, I find myself unable to take my own reference pics. This is especially true of commissions, where I rely on clients to provide me with the photos I’ll use to paint their furry family members.

Or it’s merely a case of access and travel being prohibitive. I’ve been searching for the right reference for an elephant painting for years. My friend Serena from Discovery Wildlife Park went to Africa earlier this year and brought back the perfect photos for me.

One of the people I knew well from my years in the NAPP organization and Photoshop World was Susan Koppel. It’s not enough that she was a flight instructor at 18 and then became an aeronautical engineer, but she’s also an incredible photographer and supporter of animals.

Now retired from the aviation industry, Susan’s photography business is her primary focus, pun intended.  She volunteers for the Nevada Humane Society taking pictures of the animals to make them look their best for their adoption photos. She also donates her skills to a wildlife sanctuary and nature center in Reno called Animal Ark.

The facility has adopted several cheetahs, and one of their regular events is to have cheetah runs. This gives the animals much-needed exercise opportunities to run full out, as they would in the wild, but also provides photographers with a chance to take pictures they can’t get outside of Africa. These photography events give the sanctuary added funds to continue the work they do.

Years ago, Susan provided me with the reference for my Raccoon and Fox paintings. I’ve seen her cheetah photos before and recently asked her if she’d be willing to share some. I’ve wanted to paint a full body cheetah in a running pose, mostly inspired by the photos Susan has posted over the years.

Susan generously opened up her online archive to me and told me I could use what I’d like. I ended up grabbing a dozen or so and expect to do three cheetah paintings in the near future. The reference was just so good that I couldn’t decide.
This is the first of those cheetah paintings, and I obsessed over the details. I expect I could have spent another 10 hours on this one, just nitpicking every little hair. But as every creative knows, eventually you just have to abandon one piece so that you can start on the next.

I miss all of those great people in the NAPP organization and at Photoshop World conferences. Each of them, in one way or another, inspired and contributed to my creating the work I love most, and I believe I’m a better artist and a better person for having known them.

Cheers,
Patrick

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Face Mask Update

Last weekend, I launched a pre-order for face masks, available to my newsletter subscribers. The response was overwhelming and I spent long hours on multiple days processing the orders. This update was sent to my newsletter followers this morning.

Over the past month, things have changed to a degree we’d have thought ridiculous had somebody predicted it at the beginning of the year. People, businesses, and governments are all trying to adapt to information that changes every day.

There’s a video circulating right now with a woman standing in her kitchen in front of microphones talking about the inconsistent messages we’re getting. You may have already seen it because it has gone viral, but here’s the link if you haven’t. It’s funny ‘cause it’s true.

The list of things we’ve been taking for granted grows larger every day. Never thought I’d miss a teeth cleaning and haircut so much.

This week, the Calgary Stampede was cancelled along with every other summer gathering. I haven’t been to Stampede in years, not my thing. But Stampede is part of Calgary’s identity, and cancelling an event for the first time in 97 years speaks volumes.

If you’re playing the ‘every time somebody says unprecedented’ drinking game, take a shot.

It’s hard to follow what each Provincial Premier and State Governor is saying concerning starting up the economy again. While the messages are conflicting, it seems clear that large gatherings, sports events, festivals, and concerts won’t be possible this summer. That’s right, the whole summer.

That just sucks.

When we do go out, we’ll have to continue to keep a distance of 6ft/2m, in gatherings of less than fifteen? Or is it ten? Five?

I’ve been going to the grocery store on Fridays, just once a week. There were noticeably more people wearing face masks yesterday than last week. They were almost all homemade.Masks are going to be a part of our culture for the foreseeable future.

While it’s great that Pacific Music and Art jumped on this so fast, ahead of many others, my masks are the first order of a brand new product, and that means there have been issues requiring adjustments and tweaks.

Before I go further, yes, there is a delay on the masks, but I still expect (hope) I should get them later this week.

True, it’s only been five days since I submitted the order, and even that behemoth Amazon can’t meet their pre-COVID shipping guarantees right now, but I know you’re anxious to get these. I am, too.

Canada Post issued a statement this week that they’re experiencing Christmas level volume right now, but without the staff to handle it.  Postal workers can’t be within six feet of each other, and every transaction takes longer to deal with because of masks, handwashing, and the COVID shuffle.

Here’s why the delay…

When I took the pre-order, the blank masks had arrived in Vancouver. Pacific Music and Art is a ferry ride away in Victoria. Because of new dock safety protocols and shipping delays, it took more than two days for the order to make it to Pacific Music and Art.
When they started test printing, it quickly became evident that the designs were off.

Usually, with licensing, I supply the image, and then the company that licenses the image has designers that fit it to their products. With Pacific Music and Art, I create all of my own designs. They’re my most significant licensee, with the most products, and I’m a control freak. So I want them to look as close to perfect (impossible) as I can get them.

For every painting I do, I create more than a dozen different designs for things like magnets, coffee cups, trivets, coasters, art cards…it’s a long list.

Because the masks hadn’t arrived yet, I based my templates on photos and measurements. 16 designs, both small and large masks, for a total of 32 images. It took quite a few hours, and one sleepless night to get them all done.

Then the company that provided the blanks also provided a template, different enough from mine that I had to redesign them all again, requiring many more hours of work.

Whenever an image is printed on a product, there is a bleed. That means the image has to be larger than the printable area so that if it’s off by a millimetre here or there, it won’t show an edge. With something like an aluminum magnet, the bleed is small because the blanks are all uniform.

When the actual masks arrived in Victoria, there was another problem. Masks are fabric, with straps, and unlike aluminum, there is more variability between each. So I worked late Wednesday night and early Thursday morning, redesigning all 32 images for a THIRD time with a much larger bleed.

I had to paint more fur, hair and features on the edges of many of the paintings to accommodate the bleed, work that nobody will ever see.

It was incredibly frustrating. I still had my daily editorial cartoon deadlines, and I haven’t worked on my new painting in over a week.

That’s just my side of it. Pacific Music and Art were working hard in dealing with their own problems.

Heads are different sizes. It’s the reason hat sizes have such small increments between them. Faces are long or short, wide or narrow. With one small mask and one large mask, finding a perfect fit for everybody is impossible, and you go with as close as you can get.

The elastic isn’t super stretchy, because then it would bite into the backs of your ears. They discovered that the ear loops need to be shorter for some people to have a good fit.

As more people wear masks, it’s now easy to find online solutions for a better fit, because so many don’t fit well. Some are fastening the ear loops behind their heads with additional clips and fasteners. Others are tying them over their heads. Front line workers and first responders who must wear them all day are developing sores on their ears and faces from masks that are too tight and elastics that are too thin.

The owner of Pacific Music and Art didn’t want to send out the masks without a solution because you wouldn’t be happy, and I wholeheartedly agree.

Between him and the company that supplies the blanks, they discovered that an addition of a grommet seems to work.
But now we’re waiting on the grommets.

He’s looking for a local solution for my order so that he can ship them to me, and then I can ship them to you.
The good news is, the masks for my order are all in Victoria, being printed right now. Despite this delay, you’ll all receive what you ordered. If the delay goes longer, I will update you again and will issue refunds for those unwilling to wait.

The bad news is, I’ve been hearing from people all week who missed the first opportunity and want to order, and I have no idea when that can happen. Because of the global demand now for any kind of mask, shipping delays on everything, it’s probably going to be a few weeks before Pacific Music and Art can get any more, and that’s only if there aren’t any further delays. My order was first priority this time, but it won’t be next time. They have other retail customers waiting.

It would be irresponsible and unfair of me to take another order with no idea when I can deliver. Masks are going to be hard to come by for everybody for a little while until supply meets the demand. Just like the toilet paper aisle in your grocery store, it needs to catch up.

I’ll also be re-evaluating orders to the US on the next go ’round. Because of stricter customs regulations on anything that isn’t paper, shipping is now more expensive and more involved, even for small packets. I’ll absorb the added fees on this order, so masks heading to the US this time will go ahead as planned, at no additional cost.

The best I can offer is to stay tuned. If you have friends and family who want to order, they can sign up for the newsletter, and I’ll announce the next order opportunity here, whenever that might be. But please don’t promise them anything.

All I can do is ask for your patience and to trust me that as soon as I can get these shipped, I will.

Cheers,
Patrick

Now go watch that video.

And here’s an article from CBC talking about the Canada Post delays, but also why businesses are having a hard time meeting their orders right now. One more thing we must get used to.

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Face Masks


Medical professionals and officials have recently changed their messaging about wearing fabric masks to prevent the spread of Covid-19. While they still agree that a non-medical mask won’t prevent you from getting the virus, they admit that it’s possible that a cotton or other fabric mask could prevent the wearer from infecting others, especially if you have the virus but aren’t showing any symptoms. Since coughing, sneezing and talking spreads droplets from your mouth and nose, wearing a mask could prevent those droplets from being inhaled by others.

Of course, nothing is a substitute for staying at home, hand-washing and keeping a distance of 6ft/2m or greater if you have to go out and run errands. Some medical professionals have also said that a side benefit of people wearing masks is a visual reminder to each other of the need for diligence, to keep our distance while out in public.

Even when we’re allowed back out into the world,  it now appears that masks will be a part of our culture for the foreseeable future and Pacific Music and Art is launching a line of masks featuring my artwork. I spent most of Saturday going through my images, playing with the template and designs and the production is now underway. I’ve got fifteen different designs, nine of which you can see below.

I’ve been told these will be available soon, but won’t know the exact date for a little while. I also don’t know what the price will be for each of these, but all of that information will be available as soon as I know it. Newsletter subscribers will be the first to know and have a chance to purchase. So if you’re not a subscriber, here’s the link.

As with all of my posts, feel free to share and stay healthy.

Cheers,
Patrick

___

© Patrick LaMontagne
Follow me on Instagram @LaMontagneArt
Sign up for my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Sire

My latest painting, finished this morning.

It’s the largest piece I’ve done to date, with a file size of 45”X45” at 300ppi. For those unfamiliar with digital art, that’s a big file, and it stretched my computer’s abilities. My desktop is quite powerful, but it has its limits, as does Photoshop.

Put this image and my recent Ring-tailed Lemur together, and they’re quite different. Both are still my style, but not the same character and feeling.

Once you get an established niche or look, it’s tempting to approach each painting from a cookie-cutter perspective, so you don’t risk alienating customers. But I’ve painted more than 70 animal images, and while many look like they belong together, some veered into another lane, and yet still became popular. As much as I love this work, it can get boring if I don’t try new things from time to time.

You never know what will grow from planting a different seed. As I’m fond of telling people, my first animal painting of a Grizzly in 2009 led to all of the others. It not only changed the direction of my career but my life as well. At the time, it was an experiment.

Most of the time, I can’t predict the outcome. My Roar painting (below) was almost a practice piece and yet many people like it. Most recently, DecalGirl added it to my licensed images for phone cases and device decals.
Some experiments aren’t popular at all, but as I recently told an art student who sent me some questions, every piece teaches you something. Sometimes the lesson is what doesn’t work, but you don’t find that out until after the painting is finished.

My recent Lemur painting was far more popular than I thought it would be. I’d been a little worried about that one because it doesn’t look like he’s playing with a full deck. My buddy Derek Turcotte, an incredible wildlife artist himself, ordered it on canvas for the shop at 32” X 24” which is the largest canvas I’ve printed to date. I should be picking that up this week.

And Shonna, ever my harshest critic, is urging me to paint more animals like that Lemur, critters that are more “bent” as she put it.

While going through my extensive photo library recently, looking for an animal to paint, I wrote down four different ones, including this lion. I took the reference for it at the Calgary Zoo. One of the reasons I didn’t paint it in a happy whimsical style is that I’m saving that painting for a particular model.

Griffin, the male lion from Discovery Wildlife Park, is now an adult, and while he will get more regal-looking as he ages, I’m ready to paint him this year or at least gather the reference. Serena has long told me I could do a photo-shoot with him when the time was right. So I’m reserving the happy, whimsical painting of a lion for him.

This is one of the reasons why this lion is more severe-looking, also because I just felt like painting him that way. Painted in grey-scale (black and white), I added the slight blue cast at the end, just to give it a little more life. The eyes are bluer still, which is a bit of a cliché in paintings and photos, but as Eric at the tattoo shop pointed out to me the other day, everything in art is a cliché, especially if it’s something people like.

Rather than avoid it, I just went with the look I wanted. Whether others like it or not, only time will tell.

Cheers,
Patrick

© Patrick LaMontagne
@LaMontagneArt
If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Ring-Tailed Ringleader

Here’s a new painting, a Ring-tailed Lemur just finished this morning.

Wacom sent me their new Wacom One display to take for a test drive and to record a video for them. The video has an inspirational theme, rather than a technical one. I’ve written the script, recorded the video, but now I need a few days to edit all of the footage and record the audio, especially since I have my cartoon deadlines as well. It’s a lot of work to take a painting that took about 15 hours and compress it into a 3 or 4 minute video so people won’t get bored.

Seriously, I love painting hair and fur, but it would be effective torture to make me watch many hours of somebody else doing it.

Initially supposed to be more of a cartoony creation, I wanted to see what kind of advances Wacom had made in their display technology, so I painted with it instead. The Wacom One is being marketed as an entry-level display, but I enjoyed working with it and didn’t feel hobbled at all.

I’ll have a more technical evaluation post a little later, but for those of you who just like looking at my funny looking animal paintings, I’ll save those details.

The Ring-tailed Lemurs at the Calgary Zoo are fun to watch, and the Land of Lemurs is an immersive experience. Their enclosure allows them to freely roam where they like and it’s the people who are restricted in the center, but with no barrier. With zoo staff on hand to make sure people follow the rules, the open-air concept allows for some great photo opportunities.

I’ve taken many shots of these critters and plan to paint a group of them together as they like to huddle in a ball. All of the expressive faces peeking out is quite comical.
While going through my photo reference, however, I came across the image above. She’s a female, as are all of the ring-tailed lemurs at the zoo (or were at the time of this photo), and I liked what I saw. I even loved the blue sky background, and saw no need to change it. I don’t know if she really has a bad attitude, but part of the reason I paint the personalities I do is that I actually see that in the photo reference I take. The painting definitely looks male, however.

This was a lot of fun. I know I say that about many of my paintings, but I’d put this painting experience in the Top 3. Many of my paintings could be labelled cute, but this one borders on psychotic, which is probably why I liked it so much. Those crazy eyes suggest a critter that isn’t quite all there.

As my friend Pam at Wacom said this morning on Instagram, “He looks like an evil ringleader.”

So while I don’t know if it’s the kind of image that will be popular on a print or licensed product, some of my best images were ones I did for myself. I never expected my cantankerous Ostrich image to be popular and that one has developed a strange cult following I don’t fully understand.

I worked a very long day on Sunday drawing three editorial cartoons so that I could spend all day yesterday putting the final hours in on this piece. I could have finished it last night, but I erred on the side of patience and decided to sleep on it. When I opened the image this morning, I laughed out loud. It’s such a ridiculous expression.
Another hour on the fine hairs, tweaks here and there, tunes cranked in the earbuds, and I’m glad I waited. It was a great way to start my day.

I’m looking forward to sharing the video soon.

Cheers,
Patrick

© Patrick LaMontagne
@LaMontagneArt
If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Rocky


My latest commission, this is Rocky.

This is the second piece for the same client as my most recent commission post, my painting of Sammy, the Golden Retriever.

Rocky’s portrait is a memorial piece, as he passed away some time ago. The very image of a firefighting dog, Rocky was the fire mascot in the World Police and Fire Games in Vancouver in 2009.  He even participated in the parade and opening ceremony.

I’ve never painted a Dalmatian before and this was a fun piece. It was a challenge to make sure I got all of the markings in the right place, even as I exaggerated his features in my whimsical style.

When it comes to getting it right, it’s not only about the features themselves, but also the relationships between the features, affecting how believable the likeness will be. This is especially important when painting people.

Black and white fur is tricky because I couldn’t paint pure black or pure white. The blackest black or whitest white in a colour piece will create flat dead spots that will rob the image of its life. It’s all about degrees of shading and how the light reflects in the dark and light areas. Black will often be a very dark blue, white the brightest yellow or pink.

There isn’t much fur detail in a short-haired black and white dog, so it requires restraint. Too much detail and it wouldn’t look right, especially if I painted the fur too sharp. It became about manipulating the depth of field, blurring out some areas and sharpening others. The personality and overall image were the focus and it was important not to have any one detail distract from that. He really does have that heart shaped feature above his nose, however, and I wanted to make sure it was evident.

This client was a joy to work with, for purely selfish reasons. Aside from some minor direction I was happy to accept, I had the freedom to paint these beautiful dogs my own way. For this painting, I asked if they wanted me to include the collar or not. I didn’t include one for their other dog because he had long, luxurious hair, but I was hoping they would want it for this one. They did and said they preferred it to be red.

Considering that Rocky was a firefighter dog, it added a lot, balancing out the black and white with a splash of colour. Had they given me no direction at all, I would have made the same choices.

Because I don’t know how the clients are planning to hang the canvases, I wanted them to look good on their own or together, so I made both of the backdrops blue, with Rocky’s a little darker because I liked the way it looked against the subject.
After painting whimsical wildlife and pet portrait commissions for more than ten years, I’m confident in my abilities and the skills I’ve developed. But each painting still presents unique challenges, and I would be disappointed if it were otherwise. Overcoming those obstacles makes for improved skills and better prepares me for the next piece, no matter what that may be.

As always, the most crucial part of any commission is the client’s approval and I’m happy to report that they were pleased with both finished pieces. Next up, I’ll be sending these off for printing, then shipping them to their new home in B.C.

For you tech and art people, I painted this image in Photoshop on a Wacom Cintiq 24HD display. Photos are only for reference, not used in my paintings. It’s all digital brushwork.

Cheers,
Patrick

© Patrick LaMontagne
@LaMontagneArt
If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.

Posted on

Habit-Forming

The timing of this post might seem like a New Year’s resolution update, but that’s a coincidence. Shonna recently recommended this book she’d found interesting, but had she done so in August, I would have tried these changes then.

Atomic Habits is a New York Times bestseller by James Clear. While I’ve read my share of self-help and pseudoscience over the years, often with more than a grain of salt, I was willing to give this a shot. It didn’t seem like the usual positive-thinking-will-solve-all-of-your-problems tripe.

I wasn’t a fan of the title, but it wasn’t long before Clear explained the reason for it by calling out the definition. Atomic, meaning powerful but also tiny. The premise of the book is that small changes yield big results, building good habits and breaking bad ones.

Full of practical perspectives within, two strategies caught my attention.

The first is something Clear calls habit-stacking. We all have habits we do every day, from our morning rituals to how we accomplish routine procedures at work. These are behaviours we do to be more efficient with everyday tasks. Habits, when appropriately used, add some automation to our day, freeing up our brainpower for more interesting things.

Habit stacking involves adding onto an existing habit or series of habits, making the new behaviour easier to adopt. In my case, I’ve been trying to make time for meditation every morning. I’ve been unsuccessful at keeping a regular practice over the years because I could never find the time.

In the fall, I took an eight-week course on Cognitive Behavioral Therapy combined with Mindfulness Meditation, which I found well worth my time. I’ve been meditating ever since but found it easy to skip a day here, two days there and hadn’t yet found my groove, despite my best intentions.

After reading Atomic Habits, I realized I just had to add it to my existing routine. In the mornings, I get up at 5, turn on my computer, go downstairs, start the coffee, have a shower, get dressed, go back downstairs, do a series of push-ups and sit-ups, grab my coffee and back up to my office to start work.

Over the past month, I now meditate for 15 minutes, after the sit-ups, before grabbing my coffee. I’ve inserted it into my usual routine, and it’s ridiculous how easy it was to do because it’s not something for which I need to find the time. It’s now just part of how I start my day.

As an aside, if you’re unfamiliar with mindfulness meditation, suspend your preconceived notions about lotus positions, chanting like a monk and becoming one with the universe. The practice is about being present in the moment. Most of us are victims of endless mind chatter where we ruminate on our past mistakes or shortcomings and worry about the future, while rarely being right here, right now.

I’m not very good at it, but that’s not the point. My mind still goes off on its own on dark tangents, and I have to gently bring my attention back to my breath or a chosen focus. Some days are harder than others, but I still sit there in silence for 15 minutes, and the benefits are evident. There’s plenty of information online if you’re curious.

The second habit-changing practice I’ve adopted from the book involves my office calendar. The jury is still out on whether or not this has become a good habit or bad.

At present, my revenue streams are my nationally syndicated editorial cartoons, which I work on most days but send out Monday to Friday. Then there’s my painted work, which involves commissions, prints, and licensing on many different products through several different companies.

On top of those pursuits, I enjoy writing, but for many years, that’s been confined to my regular blog posts and newsletters. But in recent months, I’ve wanted to get back into writing fiction. I wrote about this in a previous post, so I won’t elaborate here.

In Atomic Habits, the author suggests that one method of adding a desirable habit is to employ a calendar.

I’ll use eating healthier as an example. Each day you have a serving of fruit, you put an X on the calendar. Successive calendar marks will make you want to add more, an absence of them will motivate you to prevent further blank spaces. It’s a visual representation of what you’re actually doing, rather than what you think you’re doing. Eventually, you just become somebody who has a habit of eating fruit.

You can use this for reading, playing an instrument, going for a walk, stretching or adding any good habit to your life. Consequently, you can use the same strategy for eliminating bad habits, marking an X each day you don’t perform a habit you dislike.

I’ve got three creative outlets I want to accomplish each day; Editorial cartooning, Painting and Writing.  All three every day is possible, but not realistic. However, that’s still my goal.

Adding writing into an already busy schedule, I knew that was going to be tough, but I also knew that if I didn’t, I’d suddenly be 20 years older, lamenting the road not taken.

Blog posts and newsletters count as writing, so if I wrote something like this post, I got to add a W to that day. But if I only wrote a sentence or two, I wouldn’t, since I’d only be fooling myself.

Having done this all month, I looked at all of the red letters on the calendar for this month and had mixed feelings.

Clearly the editorial cartoons are where the bulk of my creative time is spent, followed by painting, which makes sense since that’s how I earn my living.

As intended, I’m writing fiction again, something I haven’t done in twenty years. I’m quite a few thousand words into a story that I’m enjoying, even though I have no idea where it’s headed. Without this calendar practice, I believe I’d still be wishing I’d started, just as I have for years.

As I recently heard in a book or podcast, “Writing isn’t hard. Putting your ass in the chair to start writing is hard.”

There were days this month when I wanted to write, but life got in the way. Shonna’s car battery died during a brutal cold snap, -30C and below for more than a week, which took two days of problem-solving, trips to Canadian Tire, and serving as her taxi. Now, I work at home, have the most flexible schedule and I was happy to take care of that stuff. OK, happy isn’t the right word, but I certainly didn’t blame her for the inconvenience, especially since my car was warm and comfortable in the garage.

Add to that all of the other daily stuff that comes with life, year-end bookkeeping, tax prep, month-end invoicing, communicating with clients, all of the usual and unavoidable tasks.

The most startling revelation in this whole experiment, however, was that there isn’t a day off on this calendar. Even on Saturdays, my day with the most freedom in the week, I still get up at 5 a.m. and put in 3 or 4 hours before Shonna gets up.

This might seem like humble bragging, as in look how busy the martyr is, but I’m well aware that just being busy isn’t a badge of honour. If it were, we’d all get a participation medal. Everybody is busy.

No, this is indicative of a bigger problem. Anybody who has ever been self-employed knows how much work it takes, especially in the beginning. Then if you make a good go of it, it becomes less about enjoying the successes and more about hanging on to what you’ve got for fear of losing it.

When the inevitable losses do come, in the usual ebb and flow of life, you end up working even harder (not smarter!) to keep as tight a grip as possible. Pretty soon, you’re taking little time off, are perpetually tired, grumpy, depressed, running on empty and operating from a position of fear. You spend less time with friends, and the concept of spending an entire day doing nothing feels, well…irresponsible.

Like any bad habit, it’s easy to come up with excuses that sound reasonable.

Some of the greatest hits we’ve all said or have heard include…I’ll quit smoking next month when work is less stressful. I’ll start saving money next year because it’s Christmas and it’s too hard right now. I’ll make time to exercise later when I’m not so tired. Any bad habit comes with a dump truck full of enthusiastic excuses that sound good at the time, but ultimately don’t hold water.

I’m too busy to take time off. In reality, I’ve just forgotten how.

So while this calendar habit was supposed to be a motivating carrot on a stick, I ended up beating myself with it, and I’m disappointed. Awareness, however, is the most significant part of solving any problem, so I intend to continue using it to motivate me to write. But it will also serve double duty as a cautionary device, reminding me that having a blank day here and there is ultimately healthier than killing myself for another editorial cartoon.

The next time somebody suggests I write a children’s book, get into animation, draw something for their fundraiser, or do a commission for them ‘in my spare time,’ however, I’ve got an excellent visual aid for when I respectfully decline.

I remain a work in progress, just like everybody else.

Cheers,
Patrick

© Patrick LaMontagne
@LaMontagneArt
If you’d like to receive my newsletter which features blog posts, new paintings and editorial cartoons, follow this link to the sign up form.